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In Fort Worth's celebrated Cultural District, visitors can explore museums and historical buildings that are acclaimed for their architecture, the quality of their collections, and the programs they offer. The Cultural District is one mile west of downtown, easily walkable in a relaxing, park-like setting.

This public art tour includes several works that can be seen from your vehicle. For the best viewing experience, it is recommended that you walk or cycle the Cultural District. Free parking is available after 5 p.m. on weekdays and all day on weekends, visit https://www.artsfortworth.org/parking for more information.

This public art tour is made possible thanks in part to the Texas Commission on the Arts and the National Endowment for the Arts.

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For the best viewing experience, it is recommended that you walk or cycle the Cultural District. Free parking is available after 5 p. m. on weekdays and all day on weekends, visit https://www. artsfortworth. org/parking for more information. 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Sellors' charming larger-than-life amphibian sits on a lily pad in the Fragrance Garden pool at the Fort Worth Botanic Garden. A Fort Worth native, Sellors is credited with helping to establish the Fort Worth School of Fine Arts in 1932. Her students would later become important promoters of modern art and prominent artists known as the Fort Worth School.

Fort Worth Public Art, Legacy Collection

","direction_intro","direction_notes","icon_color","#d3a831",107,"lat",32.740398351317424,"lng",-97.3637746558197,[176],"","orphaned","parking_lat","parking_lng","Sellors' charming larger-than-life amphibian sits on a lily pad in the Fragrance Garden pool at the Fort Worth Botanic Garden. A Fort Worth native, Sellors is credited with helping to establish the Fort Worth School of Fine Arts in 1932. Her students would later become important promoters of modern art and prominent artists known as the Fort Worth School. Fort Worth Public Art, Legacy Collection","frog-by-evaline-clarke-sellors",[165,166,167,168,169,170,171,172,173,153,174,175,153,153],{"_72":161,"_162":-5,"_163":164},"Frog by Evaline Clarke Sellors","stop","video_embed","video_poster",[],"Frog","caption","url","https://api.opentour.site/arts-fort-worth/v4/public/media/rr2bkc32g0net1l0qdz2d4ukc8il?variant=desktop","f","fro","frog-by","frog-by-e","frog-by-evalin","frog-by-evaline-cla","frog-by-evaline-clarke","frog-by-evaline-clarke-s","frog-by-evaline-clarke-sellor","new-stop-1656019858024","frog-by-eva",{"_132":177,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":184,"_185":186,"_35":187,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":161,"_196":-5},206,0,"desktop_width",750,"embed","embed_id","filename","Frog_ESellors (2).jpg","files",{"_197":198,"_199":200,"_201":202,"_203":164,"_204":205},226,"lqip_width",5,"mobile_width",300,"original_image","provider","tablet_width",400,"video","original","https://api.opentour.site/arts-fort-worth/v4/public/media/rr2bkc32g0net1l0qdz2d4ukc8il","mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/rr2bkc32g0net1l0qdz2d4ukc8il?variant=mobile","tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/rr2bkc32g0net1l0qdz2d4ukc8il?variant=tablet","desktop","lqip","https://api.opentour.site/arts-fort-worth/v4/public/media/rr2bkc32g0net1l0qdz2d4ukc8il?variant=lqip",116,"spring-ballet-by-andre-harvey","Spring Ballet by Andre Harvey",{"_35":142,"_64":153,"_72":156},45,{"_35":246,"_64":247,"_72":248},190,"2000 University Dr, Fort Worth, TX 76107, USA","Spring Ballet is a delightful example of Harvey's realistic sculptures. Capturing the essential nature of animals and plants by knowing his subject matter intimately and often modeling in place, Harvey, a self-taught artist, lived and worked in the Brandywine Valley in Pennsylvania, where he had easy access his subject matter. His successful four-decade career includes an extensive body of work included in numerous public and private collections. Harvey died in 2018.

Fort Worth Public Art, Legacy Collection

",32.74034342471367,-97.3633326674591,[235],"Spring Ballet is a delightful example of Harvey's realistic sculptures. Capturing the essential nature of animals and plants by knowing his subject matter intimately and often modeling in place, Harvey, a self-taught artist, lived and worked in the Brandywine Valley in Pennsylvania, where he had easy access his subject matter. His successful four-decade career includes an extensive body of work included in numerous public and private collections. Harvey died in 2018.Fort Worth Public Art, Legacy Collection",[224,225,226,227,228,229,207,230,231,232,233,234,207,207],{"_72":222,"_162":-5,"_163":223},[],"Spring Ballet","https://api.opentour.site/arts-fort-worth/v4/public/media/xs4eumqzp5us2mvyme68ve9a7kdo?variant=desktop","new-stop-1656020374320","spring-ballet-by-an","spring-ballet-by-andr","spring-ballet-by-andre-h","spring-ballet-by-andre-harv","spring-ballet-by-andre-harve","sp","spring","spring-bal","spring-ballet","spring-ballet-by",{"_132":236,"_129":178,"_162":-5,"_179":237,"_181":-5,"_182":-5,"_183":238,"_185":239,"_35":240,"_188":36,"_190":241,"_192":-5,"_193":-5,"_194":191,"_72":222,"_196":-5},215,563,"Spring Ballet_database_full.jpg",{"_197":242,"_199":243,"_201":244,"_203":223,"_204":245},235,225,"https://api.opentour.site/arts-fort-worth/v4/public/media/xs4eumqzp5us2mvyme68ve9a7kdo","https://api.opentour.site/arts-fort-worth/v4/public/media/xs4eumqzp5us2mvyme68ve9a7kdo?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/xs4eumqzp5us2mvyme68ve9a7kdo?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/xs4eumqzp5us2mvyme68ve9a7kdo?variant=lqip",119,"runnels-by-gene-owens","Runnels by Gene Owens",{"_35":206,"_64":207,"_72":208},44,{"_35":280,"_64":281,"_72":282},191,"3220 Botanic Garden Blvd, Fort Worth, TX 76107, USA","

Two sculptural water features by Fort Worth artist Gene Owens flank the entrance to the Deborah Beggs Moncrief Garden Center. A pioneer in modernist sculpture techniques, Owens is well known for his association with the Fort Worth Circle, as well as his apprenticeship with Isamu Noguchi. Composed of hand-formed ceramic blocks, Runnels is an excellent example of the artist's material dexterity and restraint. Subtle and playful, each of the monochromatic fountains terminate dramatically in sunken tile basins.

Fort Worth Public Art, Legacy Collection

",32.74035582762066,-97.3637078196476,[271],"Two sculptural water features by Fort Worth artist Gene Owens flank the entrance to the Deborah Beggs Moncrief Garden Center. A pioneer in modernist sculpture techniques, Owens is well known for his association with the Fort Worth Circle, as well as his apprenticeship with Isamu Noguchi. Composed of hand-formed ceramic blocks, Runnels is an excellent example of the artist's material dexterity and restraint. Subtle and playful, each of the monochromatic fountains terminate dramatically in sunken tile basins. Fort Worth Public Art, Legacy Collection",[264,265,266,267,268,269,270,247,247,247],{"_72":262,"_162":-5,"_163":263},[],"Runnels","https://api.opentour.site/arts-fort-worth/v4/public/media/1v925qmbyktqtlq9sfuuoyl83phe?variant=desktop","new-stop-1656020625165","runne","runnels","runnels-by","runnels-by-ge","runnels-by-gene","runnels-by-gene-o",{"_132":272,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":273,"_185":274,"_35":275,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":262,"_196":-5},222,"runnels_3029.jpg",{"_197":276,"_199":277,"_201":278,"_203":263,"_204":279},242,"https://api.opentour.site/arts-fort-worth/v4/public/media/1v925qmbyktqtlq9sfuuoyl83phe","https://api.opentour.site/arts-fort-worth/v4/public/media/1v925qmbyktqtlq9sfuuoyl83phe?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/1v925qmbyktqtlq9sfuuoyl83phe?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/1v925qmbyktqtlq9sfuuoyl83phe?variant=lqip",108,"naiads-by-glenna-goodacre","Naiads by Glenna Goodacre",{"_35":246,"_64":247,"_72":248},43,{"_35":315,"_64":316,"_72":317},223,"

Three bronze mythological water nymphs are sited at the entrance to the Fort Worth Garden Center. The installation was donated to the City of Fort Worth in honor of Carin Koslow by the Fort Worth Garden Club, and Koslow's family and friends.

Fort Worth Public Art, Legacy Collection

",32.740721100455225,-97.36364188647346,[306],"Three bronze mythological water nymphs are sited at the entrance to the Fort Worth Garden Center. The installation was donated to the City of Fort Worth in honor of Carin Koslow by the Fort Worth Garden Club, and Koslow's family and friends. Fort Worth Public Art, Legacy Collection",[297,298,299,300,301,302,303,304,305,281,281,281],{"_72":295,"_162":-5,"_163":296},[],"Naiads","https://api.opentour.site/arts-fort-worth/v4/public/media/w6rpm7cimwumh4lumgjgjfvqhhs4?variant=desktop","new-stop-1656019905070","naiads","naiads-by","naiads-by-g","naiads-by-gle","naiads-by-glenna","naiads-by-glenna-go","naiads-by-glenna-gooda","naiads-by-glenna-goodacr",{"_132":307,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":308,"_185":309,"_35":310,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":295,"_196":-5},207,"naiads_database.jpg",{"_197":311,"_199":312,"_201":313,"_203":296,"_204":314},227,"https://api.opentour.site/arts-fort-worth/v4/public/media/w6rpm7cimwumh4lumgjgjfvqhhs4","https://api.opentour.site/arts-fort-worth/v4/public/media/w6rpm7cimwumh4lumgjgjfvqhhs4?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/w6rpm7cimwumh4lumgjgjfvqhhs4?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/w6rpm7cimwumh4lumgjgjfvqhhs4?variant=lqip",96,"pollen-by-cam-schoepp","Pollen by Cam Schoepp",{"_35":280,"_64":281,"_72":282},42,{"_35":351,"_64":352,"_72":353},189,"University & Harley - Botanic Gardens, Fort Worth, TX 76107, USA","

Created during the 2000 Sculpture Symposium in Fort Worth, Pollen, is a seven-piece sculpture made from Texas Granite and Terrazo. This was Shoepp's second year to participate in the Sculpture Symposium, an event that brought awareness to the need for public art and gave the public the chance to interact and understand the processes of the artist. These seven pieces, displayed at the main entrance of Fort Worth Botanical Gardens and the BRIT, are multi-sided objects suggesting a theme many North Texans are familiar with, pollen. Pollen interacts with its environment physically and figuratively as it spreads itself in nature.

Fort Worth Public Art, Legacy Collection

",32.741416,-97.36158999999999,[343],"Created during the 2000 Sculpture Symposium in Fort Worth, Pollen, is a seven-piece sculpture made from Texas Granite and Terrazo. This was Shoepp's second year to participate in the Sculpture Symposium, an event that brought awareness to the need for public art and gave the public the chance to interact and understand the processes of the artist. These seven pieces, displayed at the main entrance of Fort Worth Botanical Gardens and the BRIT, are multi-sided objects suggesting a theme many North Texans are familiar with, pollen. Pollen interacts with its environment physically and figuratively as it spreads itself in nature. Fort Worth Public Art, Legacy Collection",[333,334,335,336,337,338,339,340,341,316,342,316,316],{"_72":331,"_162":-5,"_163":332},[],"Pollen","https://api.opentour.site/arts-fort-worth/v4/public/media/1a6aywq9naai5sl5dzfoxu6le3v0?variant=desktop","p","polle","pollen-by","pollen-by-c","pollen-by-cam","pollen-by-cam-s","pollen-by-cam-sc","pollen-by-cam-scho","pollen-by-cam-schoep","new-stop-1656019155375",{"_132":344,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":345,"_185":346,"_35":236,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":331,"_196":-5},195,"Schoepp, Pollen.jpg",{"_197":347,"_199":348,"_201":349,"_203":332,"_204":350},"https://api.opentour.site/arts-fort-worth/v4/public/media/1a6aywq9naai5sl5dzfoxu6le3v0","https://api.opentour.site/arts-fort-worth/v4/public/media/1a6aywq9naai5sl5dzfoxu6le3v0?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/1a6aywq9naai5sl5dzfoxu6le3v0?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/1a6aywq9naai5sl5dzfoxu6le3v0?variant=lqip",114,"midnight-by-jack-bryant","Midnight by Jack Bryant",{"_35":315,"_64":316,"_72":317},41,{"_35":385,"_64":386,"_72":387},185,"3400 Burnett Tandy Dr, Fort Worth, TX 76107, USA","

Byrant's life-size bronze sculpture features Midnight, a \"black as coal\" champion bucking horse, and an unfortunate bronco rider. Known for his early surly behavior, Midnight developed a reputation for being unrideable over his decade-long career and only nine riders are reported to have stayed in the saddle for more than a few seconds. Bryant is known for his faithful representation of Western cowboy culture.

Fort Worth Public Art, Legacy Collection

",32.74456029167375,-97.36798728413086,[376],"Byrant's life-size bronze sculpture features Midnight, a \"black as coal\" champion bucking horse, and an unfortunate bronco rider. Known for his early surly behavior, Midnight developed a reputation for being unrideable over his decade-long career and only nine riders are reported to have stayed in the saddle for more than a few seconds. Bryant is known for his faithful representation of Western cowboy culture. Fort Worth Public Art, Legacy Collection",[369,370,371,372,352,373,374,375,352],{"_72":367,"_162":-5,"_163":368},[],"Midnight","https://api.opentour.site/arts-fort-worth/v4/public/media/ebp5g58mcyiqfxf2q12lo40itvd5?variant=desktop","midnight","midnight-by","midnight-by-jac","midnight-by-jack-br","new-stop-1656020319761","m","midn",{"_132":377,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":378,"_185":379,"_35":380,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":367,"_196":-5},213,"DSC_0984.JPG",{"_197":381,"_199":382,"_201":383,"_203":368,"_204":384},233,"https://api.opentour.site/arts-fort-worth/v4/public/media/ebp5g58mcyiqfxf2q12lo40itvd5","https://api.opentour.site/arts-fort-worth/v4/public/media/ebp5g58mcyiqfxf2q12lo40itvd5?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ebp5g58mcyiqfxf2q12lo40itvd5?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ebp5g58mcyiqfxf2q12lo40itvd5?variant=lqip",123,"untitled-swine","Untitled (Swine)",{"_35":351,"_64":352,"_72":353},40,{"_35":416,"_64":417,"_72":418},186,"3425 Burnett Tandy Dr, Fort Worth, TX 76107, USA","

Six hand-painted, glazed tile friezes above the entrances of the historic Livestock Exhibition Barns at the Will Rogers Memorial Complex depict farm animals in pastoral scenes. Four cattle mosaics and single mosaics showing sheep and swine indicate the use for each building. Designed by Kenneth Gale, long-time artistic director at the Mosaic Tile Company, they murals were installed in 1936.

Fort Worth Public Art, Legacy Collection

",32.7436742,-97.3678191,[407],"Six hand-painted, glazed tile friezes above the entrances of the historic Livestock Exhibition Barns at the Will Rogers Memorial Complex depict farm animals in pastoral scenes. Four cattle mosaics and single mosaics showing sheep and swine indicate the use for each building. Designed by Kenneth Gale, long-time artistic director at the Mosaic Tile Company, they murals were installed in 1936.Fort Worth Public Art, Legacy Collection",[403,404,405,406,386,386],{"_72":401,"_162":-5,"_163":402},[],"Swine","https://api.opentour.site/arts-fort-worth/v4/public/media/v8psq41a9gkumtrj548lczsube7q?variant=desktop","new-stop-1656021082424","untitle","untitled-sw","untitled-s",{"_132":408,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":409,"_185":410,"_35":411,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":401,"_196":-5},248,"20220707_164817.jpg",{"_197":412,"_199":413,"_201":414,"_203":402,"_204":415},269,"https://api.opentour.site/arts-fort-worth/v4/public/media/v8psq41a9gkumtrj548lczsube7q","https://api.opentour.site/arts-fort-worth/v4/public/media/v8psq41a9gkumtrj548lczsube7q?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/v8psq41a9gkumtrj548lczsube7q?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/v8psq41a9gkumtrj548lczsube7q?variant=lqip",122,"untitled-sheep","Untitled (Sheep)",{"_35":385,"_64":386,"_72":387},39,{"_35":452,"_64":453,"_72":454},182,"3417 Burnett Tandy Dr, Fort Worth, TX 76107, USA",32.74374394805891,-97.36725437116392,[443],[432,433,434,435,436,437,438,439,440,441,442,417,417],{"_72":430,"_162":-5,"_163":431},[],"Sheep","https://api.opentour.site/arts-fort-worth/v4/public/media/t13rd3ywogsfwqdnss5sil4ibyua?variant=desktop","untitl","untitled-mur","untitled-t","new-stop-1656020975391","untitled-m","untitled-mura","untitled-til","untitled-tile","untitled-tile-mu","untitled-tile-murals","untitled-she",{"_132":444,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":445,"_185":446,"_35":447,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":430,"_196":-5},247,"20220707_164904.jpg",{"_197":448,"_199":449,"_201":450,"_203":431,"_204":451},268,"https://api.opentour.site/arts-fort-worth/v4/public/media/t13rd3ywogsfwqdnss5sil4ibyua","https://api.opentour.site/arts-fort-worth/v4/public/media/t13rd3ywogsfwqdnss5sil4ibyua?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/t13rd3ywogsfwqdnss5sil4ibyua?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/t13rd3ywogsfwqdnss5sil4ibyua?variant=lqip",124,"untitled-cattle-1-4","Untitled (Cattle 1-4)",{"_35":416,"_64":417,"_72":418},38,{"_35":484,"_64":485,"_72":486},181,"3401 Burnett Tandy Dr, Fort Worth, TX 76107, USA","

Fort Worth Public Art, Legacy Collection

",32.7438939400324,-97.36670001468049,[475],[453,469,470,471,472,473,474,453],{"_72":467,"_162":-5,"_163":468},[],"Cattle 1","https://api.opentour.site/arts-fort-worth/v4/public/media/3i2gigqg645mmzbq7h54uqlqzid7?variant=desktop","untitled-c","untitled-catt","untitled-cattle","untitled-cattle-1","unti","new-stop-1656021130125",{"_132":476,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":477,"_185":478,"_35":479,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":467,"_196":-5},246,"20220707_164944.jpg",{"_197":480,"_199":481,"_201":482,"_203":468,"_204":483},267,"https://api.opentour.site/arts-fort-worth/v4/public/media/3i2gigqg645mmzbq7h54uqlqzid7","https://api.opentour.site/arts-fort-worth/v4/public/media/3i2gigqg645mmzbq7h54uqlqzid7?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/3i2gigqg645mmzbq7h54uqlqzid7?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/3i2gigqg645mmzbq7h54uqlqzid7?variant=lqip",128,"untitled-coliseum","Untitled (Coliseum)",{"_35":452,"_64":453,"_72":454},37,{"_35":517,"_64":518,"_72":519},177,"28 Will Rogers Rd S, Fort Worth, TX 76107, USA","

Designed and fabricated under the direction of local architect Herman Koeppe, the ceramic tile friezes over the Will Rogers Coliseum and Auditorium were reputed to be the largest set of tile paintings in the world when they were completed in 1935. Each mosaic is composed of 1,606 hand-painted tiles. Beginning with Spanish exploration of the New World until 1936, the murals depict the economic and cultural heritage of the southwest and Texas.

Fort Worth Public Art, Legacy Collection

",32.74638982373752,-97.36583241824646,[510],"Designed and fabricated under the direction of local architect Herman Koeppe, the ceramic tile friezes over the Will Rogers Coliseum and Auditorium were reputed to be the largest set of tile paintings in the world when they were completed in 1935. Each mosaic is composed of 1,606 hand-painted tiles. Beginning with Spanish exploration of the New World until 1936, the murals depict the economic and cultural heritage of the southwest and Texas. Fort Worth Public Art, Legacy Collection",[502,503,504,505,506,507,508,509,485,485,485],{"_72":500,"_162":-5,"_163":501},[],"Coliseum","https://api.opentour.site/arts-fort-worth/v4/public/media/vi47j2lu6y3h0m6lhswiczpu5per?variant=desktop","u","new-stop-1656021335187","untit","untitled","untitled-co","untitled-col","untitled-coli","untitled-coliseu",{"_132":310,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":511,"_185":512,"_35":444,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":500,"_196":-5},"WRMC_Coliseum.jpg",{"_197":513,"_199":514,"_201":515,"_203":501,"_204":516},"https://api.opentour.site/arts-fort-worth/v4/public/media/vi47j2lu6y3h0m6lhswiczpu5per","https://api.opentour.site/arts-fort-worth/v4/public/media/vi47j2lu6y3h0m6lhswiczpu5per?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/vi47j2lu6y3h0m6lhswiczpu5per?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/vi47j2lu6y3h0m6lhswiczpu5per?variant=lqip",127,"untitled-auditorium","Untitled (Auditorium)",{"_35":484,"_64":485,"_72":486},36,{"_35":545,"_64":546,"_72":547},176,"3301 W Lancaster Ave, Fort Worth, TX 76107, USA",32.74633568130879,-97.36684092883606,[538],[533,534,535,536,518,537,518,518,518],{"_72":531,"_162":-5,"_163":532},[],"Auditorium","https://api.opentour.site/arts-fort-worth/v4/public/media/3uxbug7wj4oeh7emv80uq66pvltf?variant=desktop","new-stop-1656021261886","untitled-a","untitled-au","untitled-auditori","untitled-audit",{"_132":187,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":539,"_185":540,"_35":476,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":531,"_196":-5},"Full_view_Auditorium 8763.jpg",{"_197":541,"_199":542,"_201":543,"_203":532,"_204":544},"https://api.opentour.site/arts-fort-worth/v4/public/media/3uxbug7wj4oeh7emv80uq66pvltf","https://api.opentour.site/arts-fort-worth/v4/public/media/3uxbug7wj4oeh7emv80uq66pvltf?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/3uxbug7wj4oeh7emv80uq66pvltf?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/3uxbug7wj4oeh7emv80uq66pvltf?variant=lqip",84,"pioneer-tower-dreams-by-refik-anadol","Pioneer Tower Dreams by Refik Anadol",{"_35":517,"_64":518,"_72":519},35,{"_35":625,"_64":626,"_72":627},179,"For Pioneer Tower Dreams, Anadol \"celebrates the people, places, histories, and dreams of the city that have been woven together through interpersonal and social interactions over the years.\" The work allows us to explore Fort Worth through the mind a of a machine with the artist's use of machine learning algorithms trained on data sets to visualize a consciousness of Fort Worth previously unseen. This artwork is a collective performance and journey into the imagination, memories, and dreams of the unique and pioneering town that is Fort Worth.

Fort Worth Public Art, Commissioned Collection

","#629af4",32.74612362314609,-97.36651906375427,[583,584,585,586],"For Pioneer Tower Dreams, Anadol \"celebrates the people, places, histories, and dreams of the city that have been woven together through interpersonal and social interactions over the years.\" The work allows us to explore Fort Worth through the mind a of a machine with the artist's use of machine learning algorithms trained on data sets to visualize a consciousness of Fort Worth previously unseen. This artwork is a collective performance and journey into the imagination, memories, and dreams of the unique and pioneering town that is Fort Worth. Fort Worth Public Art, Commissioned Collection",[564,565,566,567,568,569,570,571,572,573,574,575,576,577,578,579,580,581,582,546,546,546],{"_72":561,"_162":562,"_163":563},[],"Pioneer Tower Dreams","Photograph courtesy of Paperlyte","https://api.opentour.site/arts-fort-worth/v4/public/media/b5e4g72qelt86kuudzd04qnmjy7n?variant=desktop","new-stop-1656016990823","pionee","pi","pion","pioneer","pioneer-t","pioneer-towe","pioneer-tower","pioneer-tower-dr","pioneer-tower-dreams","pioneer-tower-dreams-by","pioneer-tower-dreams-by-quay","pioneer-tower-dreams-by-quayo","pioneer-tower-dreams-by-quayola","pioneer-tower-dreams-by-quayol","pioneer-tower-dreams-by-r","pioneer-tower-dreams-by-refik","pioneer-tower-dreams-by-refik-an","pioneer-tower-dreams-by-refik-ana",{"_132":523,"_129":23,"_162":562,"_179":180,"_181":-5,"_182":-5,"_183":619,"_185":620,"_35":133,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":561,"_196":-5},{"_132":611,"_129":80,"_162":-5,"_179":601,"_181":-5,"_182":-5,"_183":612,"_185":613,"_35":212,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":561,"_196":-5},{"_132":490,"_129":600,"_162":562,"_179":601,"_181":-5,"_182":-5,"_183":602,"_185":603,"_35":604,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":561,"_196":-5},{"_132":587,"_129":36,"_162":588,"_179":-5,"_181":589,"_182":590,"_183":591,"_185":592,"_35":252,"_188":-5,"_190":-5,"_192":-5,"_193":593,"_194":-5,"_72":594,"_196":590},175,"'New Stories: New Futures' was a free two-night outdoor new media art exhibition featuring audio/video works projected on all four sides of the 204-foot tall Pioneer Tower by internationally renowned artists Refik Anadol and Quayola, along with works by ten local artists on the grounds of the Will Rogers Memorial Center. The event featured the dedication of the City of Fort Worth’s first ‘Iconic Public Artworks’ in addition to the collaborative exhibition of regional artists working with new media approaches on August 20, 2021.\n\n\n\nLearn more about New Stories: New Futures: https://fwpublicart.org/pioneer-tower/\nLearn more about Paperlyte: https://www.paperlyte.com/","//player.vimeo.com/video/662675481","662675481","662675481.jpg",{"_197":595,"_199":596,"_201":597,"_203":598,"_204":599},"vimeo","New Stories: New Futures | DOCUMENTARY","https://api.opentour.site/arts-fort-worth/v4/public/media/av0dcbgf3cxmx7i7r1d9cdmxobl4","https://api.opentour.site/arts-fort-worth/v4/public/media/av0dcbgf3cxmx7i7r1d9cdmxobl4?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/av0dcbgf3cxmx7i7r1d9cdmxobl4?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/av0dcbgf3cxmx7i7r1d9cdmxobl4?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/av0dcbgf3cxmx7i7r1d9cdmxobl4?variant=lqip",3,500,"DSCF7734.jpg",{"_197":606,"_199":607,"_201":608,"_203":609,"_204":610},193,200,"https://api.opentour.site/arts-fort-worth/v4/public/media/2yca6vpirwgshmje1tcyl2fpbe9w","https://api.opentour.site/arts-fort-worth/v4/public/media/2yca6vpirwgshmje1tcyl2fpbe9w?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/2yca6vpirwgshmje1tcyl2fpbe9w?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/2yca6vpirwgshmje1tcyl2fpbe9w?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/2yca6vpirwgshmje1tcyl2fpbe9w?variant=lqip",174,"_DSC0308.JPG",{"_197":614,"_199":615,"_201":616,"_203":617,"_204":618},"https://api.opentour.site/arts-fort-worth/v4/public/media/czq9ojhyya4uwu78nyke6buolniq","https://api.opentour.site/arts-fort-worth/v4/public/media/czq9ojhyya4uwu78nyke6buolniq?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/czq9ojhyya4uwu78nyke6buolniq?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/czq9ojhyya4uwu78nyke6buolniq?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/czq9ojhyya4uwu78nyke6buolniq?variant=lqip","DSCF7759.jpg",{"_197":621,"_199":622,"_201":623,"_203":563,"_204":624},"https://api.opentour.site/arts-fort-worth/v4/public/media/b5e4g72qelt86kuudzd04qnmjy7n","https://api.opentour.site/arts-fort-worth/v4/public/media/b5e4g72qelt86kuudzd04qnmjy7n?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/b5e4g72qelt86kuudzd04qnmjy7n?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/b5e4g72qelt86kuudzd04qnmjy7n?variant=lqip",85,"texas-surveys-by-quayola","Texas Surveys by Quayola",{"_35":545,"_64":546,"_72":547},34,{"_35":684,"_64":685,"_72":686},180,"Texas Surveys is the latest iteration of Quayola's ongoing research on the tradition of landscape painting and, more broadly, a reflection on man's tradition of representing nature. He allows us a new and different glimpse at the natural world by capturing a different perspective on Fort Worth's natural elements including trees, the landscape, and horses using different technological processes such as high-precision 3D laser scanning systems and digital tracking systems.

Fort Worth Public Art, Commissioned Collection

",32.74614843848909,-97.36626961831588,[652,653,654,655],"Texas Surveys is the latest iteration of Quayola's ongoing research on the tradition of landscape painting and, more broadly, a reflection on man's tradition of representing nature. He allows us a new and different glimpse at the natural world by capturing a different perspective on Fort Worth's natural elements including trees, the landscape, and horses using different technological processes such as high-precision 3D laser scanning systems and digital tracking systems. Fort Worth Public Art, Commissioned Collection",[642,643,644,645,646,647,648,649,650,651,626,626,626],{"_72":640,"_162":562,"_163":641},[],"Texas Surveys","https://api.opentour.site/arts-fort-worth/v4/public/media/ea1smxqyi304ogf0eujezp2nl3be?variant=desktop","new-stop-1656017062252","tex","texas","texas-s","texas-surve","texas-surveys","texas-surveys-by","texas-surveys-by-q","texas-surveys-by-quay","texas-surveys-by-quayol",{"_132":631,"_129":23,"_162":562,"_179":180,"_181":-5,"_182":-5,"_183":677,"_185":678,"_35":679,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":640,"_196":-5},{"_132":551,"_129":80,"_162":562,"_179":180,"_181":-5,"_182":-5,"_183":670,"_185":671,"_35":344,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":640,"_196":-5},{"_132":458,"_129":600,"_162":562,"_179":601,"_181":-5,"_182":-5,"_183":663,"_185":664,"_35":605,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":640,"_196":-5},{"_132":422,"_129":36,"_162":588,"_179":-5,"_181":589,"_182":590,"_183":591,"_185":656,"_35":657,"_188":-5,"_190":-5,"_192":-5,"_193":593,"_194":-5,"_72":594,"_196":590},{"_197":658,"_199":659,"_201":660,"_203":661,"_204":662},202,"https://api.opentour.site/arts-fort-worth/v4/public/media/2e8uzr9ryesopf1wxpbq8pvc0om6","https://api.opentour.site/arts-fort-worth/v4/public/media/2e8uzr9ryesopf1wxpbq8pvc0om6?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/2e8uzr9ryesopf1wxpbq8pvc0om6?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/2e8uzr9ryesopf1wxpbq8pvc0om6?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/2e8uzr9ryesopf1wxpbq8pvc0om6?variant=lqip","DSC00482.jpg",{"_197":665,"_199":666,"_201":667,"_203":668,"_204":669},"https://api.opentour.site/arts-fort-worth/v4/public/media/tdtxb6fae28xk35twefjcng5crey","https://api.opentour.site/arts-fort-worth/v4/public/media/tdtxb6fae28xk35twefjcng5crey?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/tdtxb6fae28xk35twefjcng5crey?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/tdtxb6fae28xk35twefjcng5crey?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/tdtxb6fae28xk35twefjcng5crey?variant=lqip","DSC00487.jpg",{"_197":672,"_199":673,"_201":674,"_203":675,"_204":676},"https://api.opentour.site/arts-fort-worth/v4/public/media/djt0jhdj2gu7g8f4wwioezkxgnux","https://api.opentour.site/arts-fort-worth/v4/public/media/djt0jhdj2gu7g8f4wwioezkxgnux?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/djt0jhdj2gu7g8f4wwioezkxgnux?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/djt0jhdj2gu7g8f4wwioezkxgnux?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/djt0jhdj2gu7g8f4wwioezkxgnux?variant=lqip","DSC00230(2).jpg",{"_197":680,"_199":681,"_201":682,"_203":641,"_204":683},197,"https://api.opentour.site/arts-fort-worth/v4/public/media/ea1smxqyi304ogf0eujezp2nl3be","https://api.opentour.site/arts-fort-worth/v4/public/media/ea1smxqyi304ogf0eujezp2nl3be?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ea1smxqyi304ogf0eujezp2nl3be?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ea1smxqyi304ogf0eujezp2nl3be?variant=lqip",125,"riding-into-the-sunset-by-electra-waggoner-biggs","Riding into the Sunset by Electra Waggoner Biggs",{"_35":625,"_64":626,"_72":627},33,{"_35":736,"_64":737,"_72":738},173,"3401 W Lancaster Ave, Fort Worth, TX 76107, USA","

Waggoner's life-size sculpture, commissioned by Will Rogers' longtime friend Amon G. Carter, depicts the American cowboy humorist on his favorite horse, Soapsuds. The sculpture, commissioned following Roger's death in a plane crash, was completed in 1939 but stored until a suitable dignitary could do the honor of unveiling it. General Dwight D. Eisenhower dedicated the sculpture in 1947 while President Truman's daughter, Margaret, sang.

Fort Worth Public Art, Legacy Collection

",32.747122369322184,-97.36633130912323,[727],"Waggoner's life-size sculpture, commissioned by Will Rogers' longtime friend Amon G. Carter, depicts the American cowboy humorist on his favorite horse, Soapsuds. The sculpture, commissioned following Roger's death in a plane crash, was completed in 1939 but stored until a suitable dignitary could do the honor of unveiling it. General Dwight D. Eisenhower dedicated the sculpture in 1947 while President Truman's daughter, Margaret, sang. Fort Worth Public Art, Legacy Collection",[702,703,704,705,706,707,708,709,710,711,712,713,714,715,716,717,718,719,720,721,722,723,708,724,724,725,725,726,726,685,685],{"_72":700,"_162":-5,"_163":701},[],"Riding into the Sunset","https://api.opentour.site/arts-fort-worth/v4/public/media/mp8ir0suma92op6j9fl4vpyj9mio?variant=desktop","new-stop-1656021194246","riding-into-the-sunset-by-electra-c-wagg","r","riding-into-the-sunset-by-electra-c","riding-into-the-sunset-by-electra-c-w","riding-into-the-sunset-by-electra-c-waggo","riding-into-the-sunset-by-electra-c-waggoner","ridin","riding-int","riding-into-t","riding-into-the","riding-into-the-s","riding-into-the-suns","riding-into-the-sunset","riding-into-the-sunset-by-e","riding-into-the-sunset-by-ele","riding-into-the-sunset-by-electr","riding-into-the-sunset-by-electra","riding-into-the-sunset-by-electra-w","riding-into-the-sunset-by-electra-w-big","riding-into-the-sunset-by-electra-w-bigg","riding-into-the-sunset-by-electra-w-biggs","riding-into-the-sunset-by-electrawaggoner","riding-into-the-sunset-by-electra-waggoner","riding-into-the-sunset-by-electra-waggoner-bi",{"_132":241,"_129":178,"_162":-5,"_179":728,"_181":-5,"_182":-5,"_183":729,"_185":730,"_35":731,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":700,"_196":-5},640,"Riding into the Sunset.JPG",{"_197":732,"_199":733,"_201":734,"_203":701,"_204":735},245,"https://api.opentour.site/arts-fort-worth/v4/public/media/mp8ir0suma92op6j9fl4vpyj9mio","https://api.opentour.site/arts-fort-worth/v4/public/media/mp8ir0suma92op6j9fl4vpyj9mio?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/mp8ir0suma92op6j9fl4vpyj9mio?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/mp8ir0suma92op6j9fl4vpyj9mio?variant=lqip",140,"upright-motives-no-1-2-7-by-henry-moore","Upright Motives No. 1, 2, & 7 by Henry Moore",{"_35":684,"_64":685,"_72":686},32,{"_35":786,"_64":787,"_72":788},171,"3401 Camp Bowie Blvd, Fort Worth, TX 76107, USA","

These bronze sculptures by renowned British artist Henry Moore caught the eye of Ruth Carter Stevenson, the daughter of Amon G. Carter Sr., who oversaw the Museum’s construction after her father’s death. At the time, the Carter, which opened the previous year in 1961, sought a large sculpture for the lawn. But finding an American sculptor for such a project was challenging. In the 1960s, hardly any foundries in the U.S. could cast enormous works. Additionally, many artists of the era viewed public art as propaganda art.

Moore, who consulted with Stevenson on the installation of these works, famously said, \"I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in, or on, the most beautiful building I know.\" \n\n

Amon Carter Museum of American Art

","

","#D32F2F",32.74784656102041,-97.36745669452533,[775],"These bronze sculptures by renowned British artist Henry Moore caught the eye of Ruth Carter Stevenson, the daughter of Amon G. Carter Sr., who oversaw the Museum’s construction after her father’s death. At the time, the Carter, which opened the previous year in 1961, sought a large sculpture for the lawn. But finding an American sculptor for such a project was challenging. In the 1960s, hardly any foundries in the U. S. could cast enormous works. Additionally, many artists of the era viewed public art as propaganda art. Moore, who consulted with Stevenson on the installation of these works, famously said, \"I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in, or on, the most beautiful building I know.\" \n\nAmon Carter Museum of American Art",[756,757,758,759,760,761,762,763,764,765,766,767,768,769,770,771,772,773,774,737,737],{"_72":754,"_162":-5,"_163":755},[],"Upright Motives No. 1, 2, & 7","https://api.opentour.site/arts-fort-worth/v4/public/media/ctv7gg7koz1kir2fgjishbjrn770?variant=desktop","new-stop-1657044371128","upri","upright-m","upright-mor","upright-mori","upright-morives","upright-morives-by","upright-morives-by-h","upright-morives-by-henry","upright-morives-by-henry-moo","upright-morives-by-henry-moore","upright-motives-by-henry-moore","upright-motives-no-by-henry-moore","upright-motives-no-7-by-henry-moore","upright-motives-no-2-by-henry-moore","upright-motives-no-1-by-henry-moore","upright-motives-no-1-no-by-henry-moore","upright-motives-no-1-n-by-henry-moore","upright-motives-no-1-2-by-henry-moore",{"_132":479,"_129":178,"_162":-5,"_179":776,"_181":-5,"_182":-5,"_183":777,"_185":778,"_35":779,"_188":36,"_190":780,"_192":-5,"_193":-5,"_194":781,"_72":754,"_196":-5},608,"Henry Moore.jpg",{"_197":782,"_199":783,"_201":784,"_203":755,"_204":785},289,243,324,"https://api.opentour.site/arts-fort-worth/v4/public/media/ctv7gg7koz1kir2fgjishbjrn770","https://api.opentour.site/arts-fort-worth/v4/public/media/ctv7gg7koz1kir2fgjishbjrn770?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ctv7gg7koz1kir2fgjishbjrn770?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ctv7gg7koz1kir2fgjishbjrn770?variant=lqip",172,"testament-by-darryl-lauster","Testament by Darryl Lauster",{"_35":736,"_64":737,"_72":738},31,{"_35":845,"_64":846,"_72":847},253,"

Lauster is a Texas-based sculptor and installation artist who has a playful idea of history. What historical texts do we value above all others? Do we really know what they say? Do we know them as well as we know the lyrics to our favorite songs? With Testament, Lauster combined traditional historical works with words from popular culture that may have as much meaning to future societies as the texts that end up in our most referenced founding documents. Adding to the sense of ideas passed down through the ages, Lauster made this monument look worn on purpose—as if it has outlasted human civilization. Visit Lauster’s artwork through spring 2023.

Amon Carter Museum of American Art, courtesy of the artist

",32.748339418571554,-97.36733662939147,[807,808,809,810],"Lauster is a Texas-based sculptor and installation artist who has a playful idea of history. What historical texts do we value above all others? Do we really know what they say? Do we know them as well as we know the lyrics to our favorite songs? With Testament, Lauster combined traditional historical works with words from popular culture that may have as much meaning to future societies as the texts that end up in our most referenced founding documents. Adding to the sense of ideas passed down through the ages, Lauster made this monument look worn on purpose—as if it has outlasted human civilization. Visit Lauster’s artwork through spring 2023.Amon Carter Museum of American Art, courtesy of the artist",[803,804,805,806,787],{"_72":801,"_162":-5,"_163":802},[],"Lauster 3.jpg","https://api.opentour.site/arts-fort-worth/v4/public/media/x3ds165z17b94h4tgbaihemnzk1r?variant=desktop","new-stop-1661267160166","testament","testament-by","testament-by-lauster",{"_132":838,"_129":23,"_162":-5,"_179":-5,"_181":-5,"_182":-5,"_183":801,"_185":839,"_35":840,"_188":-5,"_190":-5,"_192":-5,"_193":-5,"_194":-5,"_72":801,"_196":-5},{"_132":830,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":801,"_185":831,"_35":832,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":815,"_196":-5},{"_132":821,"_129":80,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":822,"_185":823,"_35":824,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":815,"_196":-5},{"_132":811,"_129":600,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":812,"_185":813,"_35":814,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":815,"_196":-5},264,"Lauster 2.jpg",{"_197":816,"_199":817,"_201":818,"_203":819,"_204":820},286,"Testament","https://api.opentour.site/arts-fort-worth/v4/public/media/7ovgi3qdihnawaj1cy53ox7smwiv","https://api.opentour.site/arts-fort-worth/v4/public/media/7ovgi3qdihnawaj1cy53ox7smwiv?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/7ovgi3qdihnawaj1cy53ox7smwiv?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/7ovgi3qdihnawaj1cy53ox7smwiv?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/7ovgi3qdihnawaj1cy53ox7smwiv?variant=lqip",265,"Lauster 1.jpg",{"_197":825,"_199":826,"_201":827,"_203":828,"_204":829},287,"https://api.opentour.site/arts-fort-worth/v4/public/media/frbznvqwo5r5t83zpe7x85njcf84","https://api.opentour.site/arts-fort-worth/v4/public/media/frbznvqwo5r5t83zpe7x85njcf84?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/frbznvqwo5r5t83zpe7x85njcf84?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/frbznvqwo5r5t83zpe7x85njcf84?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/frbznvqwo5r5t83zpe7x85njcf84?variant=lqip",266,{"_197":833,"_199":834,"_201":835,"_203":836,"_204":837},288,"https://api.opentour.site/arts-fort-worth/v4/public/media/garl0h5vw3kjeb1cio0m2o39fuc3","https://api.opentour.site/arts-fort-worth/v4/public/media/garl0h5vw3kjeb1cio0m2o39fuc3?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/garl0h5vw3kjeb1cio0m2o39fuc3?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/garl0h5vw3kjeb1cio0m2o39fuc3?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/garl0h5vw3kjeb1cio0m2o39fuc3?variant=lqip",263,{"_197":841,"_199":842,"_201":843,"_203":802,"_204":844},285,"https://api.opentour.site/arts-fort-worth/v4/public/media/x3ds165z17b94h4tgbaihemnzk1r","https://api.opentour.site/arts-fort-worth/v4/public/media/x3ds165z17b94h4tgbaihemnzk1r?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/x3ds165z17b94h4tgbaihemnzk1r?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/x3ds165z17b94h4tgbaihemnzk1r?variant=lqip",139,"running-flower-la-fleur-qui-marche-by-fernand-leger","Running Flower (La fleur qui marche) by Fernand Léger",{"_35":786,"_64":787,"_72":788},30,{"_35":880,"_64":881,"_72":882},170,"3333 Camp Bowie Blvd, Fort Worth, TX 76107, USA","

After his groundbreaking investigations of complex forms and patterns in the paintings of his Cubist years—paintings such as the 1920 Composition—Léger moved towards a style of greater generalization and simplicity. In the 1920s and 1930s, he experimented with painting large-scale images of the human body, as well as almost abstract still lifes and architectural compositions. Profoundly interested in modern technology, Léger sought to bring art to the masses through whatever means he could, including the production of films. By the end of the 1930s, he had undertaken a number of important projects for public art, including a mural for an important exhibition of modern art and industry held in Paris in 1937.

Kimbell Art Museum, Gift of The Burnett Foundation.

",32.74900862752674,-97.36577159671172,[871],"After his groundbreaking investigations of complex forms and patterns in the paintings of his Cubist years—paintings such as the 1920 Composition—Léger moved towards a style of greater generalization and simplicity. In the 1920s and 1930s, he experimented with painting large-scale images of the human body, as well as almost abstract still lifes and architectural compositions. Profoundly interested in modern technology, Léger sought to bring art to the masses through whatever means he could, including the production of films. By the end of the 1930s, he had undertaken a number of important projects for public art, including a mural for an important exhibition of modern art and industry held in Paris in 1937.Kimbell Art Museum, Gift of The Burnett Foundation.",[863,864,865,866,867,868,869,870,846,846],{"_72":861,"_162":-5,"_163":862},[],"Running Flower (La fleur qui marche)","https://api.opentour.site/arts-fort-worth/v4/public/media/ixu8ynfsa55hwdax5kt80nvnx3b7?variant=desktop","new-stop-1657044261562","fernand-leger","r-fernand-leger","runn-fernand-leger","running-f-fernand-leger","running-flow-fernand-leger","running-flower-fernand-leger","running-flower-by-fernand-leger",{"_132":872,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":873,"_185":874,"_35":875,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":861,"_196":-5},262,"20220824_134523.jpg",{"_197":876,"_199":877,"_201":878,"_203":862,"_204":879},284,"https://api.opentour.site/arts-fort-worth/v4/public/media/ixu8ynfsa55hwdax5kt80nvnx3b7","https://api.opentour.site/arts-fort-worth/v4/public/media/ixu8ynfsa55hwdax5kt80nvnx3b7?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ixu8ynfsa55hwdax5kt80nvnx3b7?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ixu8ynfsa55hwdax5kt80nvnx3b7?variant=lqip",138,"figure-in-a-shelter-by-henry-moore","Figure in a Shelter by Henry Moore",{"_35":845,"_64":846,"_72":847},29,{"_35":920,"_64":921,"_72":922},169,"1186 Van Cliburn Way, Fort Worth, TX 76107, USA","

Henry Moore is one of the most important sculptors of the twentieth century. Beginning as a carver in wood and stone, Moore moved to modeling sculpture to be cast in bronze, taking the human form as his constant theme. A major figure in British art, he achieved greatest fame with large-scale commissions for public sculpture in civic spaces and in gardens across the world.

Figure in a Shelter is a work from the artist’s last creative phase, produced just three years before his death. Its forms, however, go back to sculptural ideas Moore first explored in the 1930s. The “shelter” that surrounds the figure within has its origins in a helmet-like head that Moore conceived about 1939–40, a shape in turn based on ancient armor. Greatly expanded, the two halves of the “helmet” become an enfolding architectural protection for the small, upright form, whose expanding and contracting columnar shape suggests a human body.

Kimbell Art Museum, Gift of The Burnett Foundation.",32.747971780995094,-97.36553019790038,[911],"Henry Moore is one of the most important sculptors of the twentieth century. Beginning as a carver in wood and stone, Moore moved to modeling sculpture to be cast in bronze, taking the human form as his constant theme. A major figure in British art, he achieved greatest fame with large-scale commissions for public sculpture in civic spaces and in gardens across the world. Figure in a Shelter is a work from the artist’s last creative phase, produced just three years before his death. Its forms, however, go back to sculptural ideas Moore first explored in the 1930s. The “shelter” that surrounds the figure within has its origins in a helmet-like head that Moore conceived about 1939–40, a shape in turn based on ancient armor. Greatly expanded, the two halves of the “helmet” become an enfolding architectural protection for the small, upright form, whose expanding and contracting columnar shape suggests a human body. Kimbell Art Museum, Gift of The Burnett Foundation.",[898,165,899,900,901,902,903,904,905,906,907,908,909,910,881,881],{"_72":896,"_162":-5,"_163":897},[],"Figure in a Shelter","https://api.opentour.site/arts-fort-worth/v4/public/media/tru8g34a6j6v1y1gs48ns05al2gk?variant=desktop","new-stop-1657044146492","fig","figure","figure-in-a","figure-in-a-s","figure-in-a-she","figure-in-a-shelt","figure-in-a-shelter","figure-in-a-shelter-b","figure-in-a-shelter-by","figure-in-a-shelter-by-hen","figure-in-a-shelter-by-henry","figure-in-a-shelter-by-henry-moo",{"_132":912,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":913,"_185":914,"_35":915,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":896,"_196":-5},261,"20220824_134325.jpg",{"_197":916,"_199":917,"_201":918,"_203":897,"_204":919},283,"https://api.opentour.site/arts-fort-worth/v4/public/media/tru8g34a6j6v1y1gs48ns05al2gk","https://api.opentour.site/arts-fort-worth/v4/public/media/tru8g34a6j6v1y1gs48ns05al2gk?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/tru8g34a6j6v1y1gs48ns05al2gk?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/tru8g34a6j6v1y1gs48ns05al2gk?variant=lqip",137,"constellation-for-louis-kahn-by-isamu-noguchi","Constellation (for Louis Kahn) by Isamu Noguchi",{"_35":880,"_64":881,"_72":882},28,{"_35":964,"_64":965,"_72":966},168,"Around 1980, the great twentieth-century stage designer, furniture maker, and sculptor, Isamu Noguchi, was inspired to create a sculpture ensemble for the grass courtyard on the south side of the Kimbell in honor of architect Louis Kahn. Noguchi himself arranged the sculptural elements on the site on August 1, 1983. Noguchi and Kahn had worked together in the early 1960s on a never-realized playground for Manhattan’s Riverside Park. Although Kahn only began to develop designs for the Kimbell in early 1967, Noguchi had already created an outdoor sculpture plaza in downtown Fort Worth in 1961, at the corner of Lamar and 7th Street.

Kimbell Art Museum, Gift of the Isamu Noguchi Foundation in honor of Louis I. Kahn and the Kimbell Art Museum. With thanks and goodbye to Shaindy Fenton.

",32.74802601634353,-97.36519894508704,[955],"Around 1980, the great twentieth-century stage designer, furniture maker, and sculptor, Isamu Noguchi, was inspired to create a sculpture ensemble for the grass courtyard on the south side of the Kimbell in honor of architect Louis Kahn. Noguchi himself arranged the sculptural elements on the site on August 1, 1983. Noguchi and Kahn had worked together in the early 1960s on a never-realized playground for Manhattan’s Riverside Park. Although Kahn only began to develop designs for the Kimbell in early 1967, Noguchi had already created an outdoor sculpture plaza in downtown Fort Worth in 1961, at the corner of Lamar and 7th Street. Kimbell Art Museum, Gift of the Isamu Noguchi Foundation in honor of Louis I. Kahn and the Kimbell Art Museum. With thanks and goodbye to Shaindy Fenton.",[937,938,939,940,941,942,943,944,945,946,947,948,949,950,951,952,953,954,921,921],{"_72":935,"_162":-5,"_163":936},[],"Constellation (for Louis Kahn)","https://api.opentour.site/arts-fort-worth/v4/public/media/ds6g2lvio9g7m6fyaoezdgr3j640?variant=desktop","co","cons","constellation-by-isamu-noguch","new-stop-1657044024883","conste","constella","constellation","constellation-by-i","constellation-by-is","constellation-by-isamu","constellation-by-isamu-no","constellation-by-isamu-nog","constellation-by-isamu-noguchi","constellation-fo-by-isamu-noguchi","constellation-for-l-by-isamu-noguchi","constellation-for-lo-by-isamu-noguchi","constellation-for-louis-by-isamu-noguchi","constellation-for-louis-ka-by-isamu-noguchi",{"_132":956,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":957,"_185":958,"_35":959,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":935,"_196":-5},260,"20220824_134238.jpg",{"_197":960,"_199":961,"_201":962,"_203":936,"_204":963},282,"https://api.opentour.site/arts-fort-worth/v4/public/media/ds6g2lvio9g7m6fyaoezdgr3j640","https://api.opentour.site/arts-fort-worth/v4/public/media/ds6g2lvio9g7m6fyaoezdgr3j640?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ds6g2lvio9g7m6fyaoezdgr3j640?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ds6g2lvio9g7m6fyaoezdgr3j640?variant=lqip",136,"woman-addressing-the-public-by-joan-miro","Woman Addressing the Public by Joan Miró",{"_35":920,"_64":921,"_72":922},27,{"_35":611,"_64":1009,"_72":1010},167,"With its peculiar proportions and anatomy, Miró’s huge fantasy monument Woman Addressing the Public is indebted to the artist’s lifelong study of the imaginative and expressive powers of the art of children. He first realized its design in 1971 as a twenty-inch plaster maquette painted white, with color accents for the eyes, arms, and sexual organs. He then made a collage with a photograph of the maquette pasted onto a photograph of the entrance to the Los Angeles County Museum of Art, intending the work as a monument of welcome and maternity. Unable to realize the project in Los Angeles, Miró submitted it as a proposal for Central Park, dedicated to the children of New York City, which did not materialize. In 1978, the Hirshhorn Museum and Sculpture Garden, in Washington, expressed interest in commissioning the still unrealized Woman Addressing the Public, but the project was once again abandoned. It would be nearly a quarter of a century before his playful “monster” would finally have a place of honor outside an important museum, the Kimbell. The final work, cast in an edition of four when the artist was eighty-seven, weighs roughly three tons.

Kimbell Art Museum

",32.748600270948565,-97.36467859653816,[1000],"With its peculiar proportions and anatomy, Miró’s huge fantasy monument Woman Addressing the Public is indebted to the artist’s lifelong study of the imaginative and expressive powers of the art of children. He first realized its design in 1971 as a twenty-inch plaster maquette painted white, with color accents for the eyes, arms, and sexual organs. He then made a collage with a photograph of the maquette pasted onto a photograph of the entrance to the Los Angeles County Museum of Art, intending the work as a monument of welcome and maternity. Unable to realize the project in Los Angeles, Miró submitted it as a proposal for Central Park, dedicated to the children of New York City, which did not materialize. In 1978, the Hirshhorn Museum and Sculpture Garden, in Washington, expressed interest in commissioning the still unrealized Woman Addressing the Public, but the project was once again abandoned. It would be nearly a quarter of a century before his playful “monster” would finally have a place of honor outside an important museum, the Kimbell. The final work, cast in an edition of four when the artist was eighty-seven, weighs roughly three tons. Kimbell Art Museum",[981,982,983,984,985,986,987,988,989,990,991,992,993,994,995,996,997,998,965,999,965],{"_72":979,"_162":-5,"_163":980},[],"Woman Addressing the Public","https://api.opentour.site/arts-fort-worth/v4/public/media/99vcror8jnkpd41ab7fc3fk4pww3?variant=desktop","woman-addressing-the-public","new-stop-1657043784068","wo","wom","woman","woman-ad","woman-addre","woman-addressing","woman-addressing-the","woman-addressing-t","woman-addressing-the-p","woman-addressing-the-publi","woman-addressing-the-public-y","woman-addressing-the-public-by-j","woman-addressing-the-public-by-joan","woman-addressing-the-public-by-joan-b","woman-addressing-the-public-by-joan-bir","woman-addressing-the-public-by-joan-m","woman-addressing-the-public-by-joan-mir",{"_132":1001,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1002,"_185":1003,"_35":1004,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":979,"_196":-5},259,"20220824_134911.jpg",{"_197":1005,"_199":1006,"_201":1007,"_203":980,"_204":1008},281,"https://api.opentour.site/arts-fort-worth/v4/public/media/99vcror8jnkpd41ab7fc3fk4pww3","https://api.opentour.site/arts-fort-worth/v4/public/media/99vcror8jnkpd41ab7fc3fk4pww3?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/99vcror8jnkpd41ab7fc3fk4pww3?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/99vcror8jnkpd41ab7fc3fk4pww3?variant=lqip","clean-slate-by-kaws","CLEAN SLATE by KAWS",{"_35":964,"_64":965,"_72":966},26,{"_35":690,"_64":1036,"_72":1037},255,"3200 Darnell St, Fort Worth, TX 76107, USA","Collection of the Modern Art Museum of Fort Worth, Museum purchase, The Friends of Art Endowment Fund",32.74986552008544,-97.36362764243621,[1027],[1025,1026,1009],{"_72":1023,"_162":-5,"_163":1024},[],"CLEAN SLATE","https://api.opentour.site/arts-fort-worth/v4/public/media/ee9urejtoz6tfvpdrpjmas74ek24?variant=desktop","new-stop-1661268436798","clean-slate",{"_132":1028,"_129":178,"_162":-5,"_179":601,"_181":-5,"_182":-5,"_183":1029,"_185":1030,"_35":1031,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":1023,"_196":-5},258,"KAWS CLEAN SLATE 2018.jpg",{"_197":1032,"_199":1033,"_201":1034,"_203":1024,"_204":1035},280,"https://api.opentour.site/arts-fort-worth/v4/public/media/ee9urejtoz6tfvpdrpjmas74ek24","https://api.opentour.site/arts-fort-worth/v4/public/media/ee9urejtoz6tfvpdrpjmas74ek24?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ee9urejtoz6tfvpdrpjmas74ek24?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ee9urejtoz6tfvpdrpjmas74ek24?variant=lqip","conjoined-by-roxy-paine","Conjoined by Roxy Paine",{"_35":611,"_64":1009,"_72":1010},25,{"_35":1079,"_64":1080,"_72":1081},254,"Camp Bowie & University, Fort Worth, TX 76107, USA","

The monumental sculpture Conjoined by New York artist Roxy Paine is a 40-foot-tall by 45 foot-wide stainless-steel sculpture of two trees whose branches cantilever in space to connect in midair. Paine’s longtime interest in the juxtaposition of nature and industrialization is evident in his extensive body of work. From his mushroom and plant fields to his artmaking machines and large-scale metal trees, he continues to explore the relationship of the natural to the unnatural. Through work that meshes the organic with the manufactured, Paine questions our position between the man-made world we control and nature’s world we cannot.

Collection of the Modern Art Museum of Fort Worth, Museum Purchase

",32.750407551313714,-97.36249306802291,[1055,1056],"The monumental sculpture Conjoined by New York artist Roxy Paine is a 40-foot-tall by 45 foot-wide stainless-steel sculpture of two trees whose branches cantilever in space to connect in midair. Paine’s longtime interest in the juxtaposition of nature and industrialization is evident in his extensive body of work. From his mushroom and plant fields to his artmaking machines and large-scale metal trees, he continues to explore the relationship of the natural to the unnatural. Through work that meshes the organic with the manufactured, Paine questions our position between the man-made world we control and nature’s world we cannot. Collection of the Modern Art Museum of Fort Worth, Museum Purchase",[1053,1054,1036],{"_72":1051,"_162":-5,"_163":1052},[],"Conjoined","https://api.opentour.site/arts-fort-worth/v4/public/media/cvzem47bj6wurs65gjmfztqjrfoa?variant=desktop","new-stop-1661268224725","conjoined",{"_132":1071,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1072,"_185":1073,"_35":1074,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1051,"_196":-5},{"_132":1057,"_129":23,"_162":1058,"_179":-5,"_181":1059,"_182":1060,"_183":1061,"_185":1062,"_35":1063,"_188":-5,"_190":-5,"_192":-5,"_193":1064,"_194":-5,"_72":1065,"_196":1060},257,"Spend a few minutes diving into a work of art at the Modern in short videos narrated by docents. This week, docent Pauline Griffith, Ph.D. discusses Roxy Paine's \"Conjoined,\" 2007.","//www.youtube.com/embed/i5gV9PmCW4E","i5gV9PmCW4E","i5gV9PmCW4E.jpg",{"_197":1066,"_199":1067,"_201":1068,"_203":1069,"_204":1070},279,"youtube","Roxy Paine - Being There: Slow Art","https://api.opentour.site/arts-fort-worth/v4/public/media/2c8i0rs7m71llw70swu2dprjczcr","https://api.opentour.site/arts-fort-worth/v4/public/media/2c8i0rs7m71llw70swu2dprjczcr?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/2c8i0rs7m71llw70swu2dprjczcr?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/2c8i0rs7m71llw70swu2dprjczcr?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/2c8i0rs7m71llw70swu2dprjczcr?variant=lqip",256,"Conjoined_DWharton_large.jpg",{"_197":1075,"_199":1076,"_201":1077,"_203":1052,"_204":1078},278,"https://api.opentour.site/arts-fort-worth/v4/public/media/cvzem47bj6wurs65gjmfztqjrfoa","https://api.opentour.site/arts-fort-worth/v4/public/media/cvzem47bj6wurs65gjmfztqjrfoa?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/cvzem47bj6wurs65gjmfztqjrfoa?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/cvzem47bj6wurs65gjmfztqjrfoa?variant=lqip",135,"sin-titulo-untitled-by-teresa-margolles","Sin título/Untitled by Teresa Margolles",{"_35":690,"_64":1036,"_72":1037},24,{"_35":1136,"_64":1137,"_72":1138},204,"3033 Crockett St, Fort Worth, TX 76107, USA","

Teresa Margolles studied both art and forensic medicine in her early years and has continued to merge the two disciplines ever since in her work. Sin título/Untitled, 2010, demonstrates the gravity and reality of Mexico’s present violence caused by the ongoing drug wars. The six benches that comprise the piece are concrete that was cast with sanitized water previously used to wash the bodies of homicide victims, often unclaimed by their families, in the Guadalajara morgue. The work represents a memorial to these victims—some of whom were involved in the drug trade, some of whom were innocent. As sculpture, these benches connect with the now-global language of Minimalism; the simplicity of their form and the austere aesthetic of the concrete relate to the movement’s main tenets. Margolles, however, abandons Minimalism’s object-oriented doctrine by making content key. Untitled inextricably reflects the violence brought on by power struggles between infighting cartels, Mexican law enforcement, the government, and citizens. The benches, like all of the artist’s work, are stirring in complex ways. Margolles invites you to rest on these sanitized benches and ponder the tragedy of the drug war and the forgotten dead.

Collection of the Modern Art Museum of Fort Worth, Museum Purchase

",32.75000977432226,-97.36234373359069,[1119,1120],"Teresa Margolles studied both art and forensic medicine in her early years and has continued to merge the two disciplines ever since in her work. Sin título/Untitled, 2010, demonstrates the gravity and reality of Mexico’s present violence caused by the ongoing drug wars. The six benches that comprise the piece are concrete that was cast with sanitized water previously used to wash the bodies of homicide victims, often unclaimed by their families, in the Guadalajara morgue. The work represents a memorial to these victims—some of whom were involved in the drug trade, some of whom were innocent. As sculpture, these benches connect with the now-global language of Minimalism; the simplicity of their form and the austere aesthetic of the concrete relate to the movement’s main tenets. Margolles, however, abandons Minimalism’s object-oriented doctrine by making content key. Untitled inextricably reflects the violence brought on by power struggles between infighting cartels, Mexican law enforcement, the government, and citizens. The benches, like all of the artist’s work, are stirring in complex ways. Margolles invites you to rest on these sanitized benches and ponder the tragedy of the drug war and the forgotten dead. Collection of the Modern Art Museum of Fort Worth, Museum Purchase",[1097,1098,1099,1100,1101,1102,1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1116,1117,1117,1118,1118,1080,1080],{"_72":1095,"_162":-5,"_163":1096},[],"Sin título/Untitled","https://api.opentour.site/arts-fort-worth/v4/public/media/113fq7i3298fzl67p6tgkjiuov0x?variant=desktop","new-stop-1657043451720","two","two-pie","two-piece","two-piece-re","two-piece-recl","two-piece-reclini","two-piece-reclining","two-piece-reclining-f","two-piece-reclining-figur","two-piece-reclining-figure","two-piece-reclining-figure-by","two-piece-reclining-figure-by-hen","two-piece-reclining-figure-by-henry-m","two-piece-reclining-figure-by-henry-moor","two-piece-reclining-figure-by-henry-moore","two-piece-reclining-figure-nby-henry-moore","two-piece-reclining-figure-no-by-henry-moore","two-piece-reclining-figure-no-2by-henry-moore","two-piece-reclining-figure-no-2-by-henry-moore","sin-t","sin-ti",{"_132":1041,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1129,"_185":1130,"_35":1131,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1095,"_196":-5},{"_132":1014,"_129":23,"_162":-5,"_179":601,"_181":-5,"_182":-5,"_183":1121,"_185":1122,"_35":1123,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":1095,"_196":-5},"Teresa Margolles.benches.2.jpg",{"_197":1124,"_199":1125,"_201":1126,"_203":1127,"_204":1128},277,"https://api.opentour.site/arts-fort-worth/v4/public/media/io0q67fzel32cm5x6ej6w4lqx782","https://api.opentour.site/arts-fort-worth/v4/public/media/io0q67fzel32cm5x6ej6w4lqx782?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/io0q67fzel32cm5x6ej6w4lqx782?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/io0q67fzel32cm5x6ej6w4lqx782?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/io0q67fzel32cm5x6ej6w4lqx782?variant=lqip","Teresa Margolles.benches.jpg",{"_197":1132,"_199":1133,"_201":1134,"_203":1096,"_204":1135},276,"https://api.opentour.site/arts-fort-worth/v4/public/media/113fq7i3298fzl67p6tgkjiuov0x","https://api.opentour.site/arts-fort-worth/v4/public/media/113fq7i3298fzl67p6tgkjiuov0x?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/113fq7i3298fzl67p6tgkjiuov0x?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/113fq7i3298fzl67p6tgkjiuov0x?variant=lqip",147,"hina-by-deborah-butterfield","Hina by Deborah Butterfield",{"_35":1079,"_64":1080,"_72":1081},23,{"_35":1185,"_64":1186,"_72":1187},165,"

Collection of the Modern Art Museum of Fort Worth, made possible by a Gift from Web Maddox Trust.

",32.74922859252525,-97.36382766563298,[1167,1168],"Collection of the Modern Art Museum of Fort Worth, made possible by a Gift from Web Maddox Trust.",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1137,1137],{"_72":1151,"_162":-5,"_163":1152},[],"Hina","https://api.opentour.site/arts-fort-worth/v4/public/media/86fktjff9fn4egv0o9xpihwr938r?variant=desktop","new-stop-1657046676167","jh","j","hin","hina","hina-by","hina-by-de","hina-by-deb","hina-by-deborah","hina-by-deborah-b","hina-by-deborah-bu","hina-by-deborah-butter","hina-by-deborah-butterf","hina-by-deborah-butterfiel",{"_132":1177,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1178,"_185":1179,"_35":1180,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1151,"_196":-5},{"_132":792,"_129":23,"_162":-5,"_179":601,"_181":-5,"_182":-5,"_183":1169,"_185":1170,"_35":1171,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":1151,"_196":-5},"IMG_1519.jpg",{"_197":1172,"_199":1173,"_201":1174,"_203":1175,"_204":1176},275,"https://api.opentour.site/arts-fort-worth/v4/public/media/9vizks3540sf370dcslgpjjl2vgy","https://api.opentour.site/arts-fort-worth/v4/public/media/9vizks3540sf370dcslgpjjl2vgy?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/9vizks3540sf370dcslgpjjl2vgy?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/9vizks3540sf370dcslgpjjl2vgy?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/9vizks3540sf370dcslgpjjl2vgy?variant=lqip",252,"IMG_1517.jpg",{"_197":1181,"_199":1182,"_201":1183,"_203":1152,"_204":1184},274,"https://api.opentour.site/arts-fort-worth/v4/public/media/86fktjff9fn4egv0o9xpihwr938r","https://api.opentour.site/arts-fort-worth/v4/public/media/86fktjff9fn4egv0o9xpihwr938r?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/86fktjff9fn4egv0o9xpihwr938r?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/86fktjff9fn4egv0o9xpihwr938r?variant=lqip",134,"vortex-by-richard-serra","Vortex by Richard Serra",{"_35":1136,"_64":1137,"_72":1138},22,{"_35":968,"_64":1220,"_72":1221},164,"

Collection of the Modern Art Museum of Fort Worth, Gift of The Burnett Foundation in Honor of Michael Auping.

",32.74890733612814,-97.36381358413085,[1211],"Collection of the Modern Art Museum of Fort Worth, Gift of The Burnett Foundation in Honor of Michael Auping.",[1202,1203,1204,1205,1206,1207,1208,1209,1210,1186,1186],{"_72":1200,"_162":-5,"_163":1201},[],"Vortex","https://api.opentour.site/arts-fort-worth/v4/public/media/vn6u2hzfvaoo7s7wnslc2bhrv8vj?variant=desktop","new-stop-1657043336289","v","vor","vortex","vortex-by","vortex-by-ric","vortex-by-richar","vortex-by-richard-s","vortex-by-richard-serr",{"_132":1212,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1213,"_185":1214,"_35":1215,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1200,"_196":-5},251,"serra-1.jpg",{"_197":1216,"_199":1217,"_201":1218,"_203":1201,"_204":1219},273,"https://api.opentour.site/arts-fort-worth/v4/public/media/vn6u2hzfvaoo7s7wnslc2bhrv8vj","https://api.opentour.site/arts-fort-worth/v4/public/media/vn6u2hzfvaoo7s7wnslc2bhrv8vj?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/vn6u2hzfvaoo7s7wnslc2bhrv8vj?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/vn6u2hzfvaoo7s7wnslc2bhrv8vj?variant=lqip","western-heritage-murals-by-mike-mandel","Western Heritage Murals by Mike Mandel",{"_35":1185,"_64":1186,"_72":1187},21,{"_35":1291,"_64":1292,"_72":1293},161,"1600 University Dr, Fort Worth, TX 76107, USA","Reining, Soapsuds, Wimpy, Arabian, Paints, Appaloosa, and Cutting. Continuing Fort Worth's long equestrian tradition, award-winning breeds and exhibitions of expert horsemanship are on display at the Will Rogers Memorial Center each year during the popular Stock Show and Rodeo. Displayed on the exterior of the Center, this series of murals features four distinguished breeds and portraits of Wimpy, the first registered American Quarter Horse, and Soapsuds, Will Roger's own beloved horse.

Fort Worth Public Art, Legacy Collection

",32.74350533264374,-97.36174297406617,[1259,1260,1261],"Reining, Soapsuds, Wimpy, Arabian, Paints, Appaloosa, and Cutting. Continuing Fort Worth's long equestrian tradition, award-winning breeds and exhibitions of expert horsemanship are on display at the Will Rogers Memorial Center each year during the popular Stock Show and Rodeo. Displayed on the exterior of the Center, this series of murals features four distinguished breeds and portraits of Wimpy, the first registered American Quarter Horse, and Soapsuds, Will Roger's own beloved horse. Fort Worth Public Art, Legacy Collection",[1238,1239,1240,1241,1242,1243,1244,1245,1246,1247,1248,1249,1250,1251,1252,1253,1254,1255,1256,1257,1258,1220,1220,1220],{"_72":1235,"_162":1236,"_163":1237},[],"Western Heritage","Photograph by Ralph Lauer","https://api.opentour.site/arts-fort-worth/v4/public/media/an4rq76ux2dhnaz6qn5gu364tenc?variant=desktop","new-stop-1655997364905","western-herit","western-heritage-m","western-heritage-mura","western-heritage-mural","western-heritage-murals-e","western-heritage-murals-eques","western-heritage-murals-equestr","western-heritage-murals-equestria","western-heritage-murals-equestrian","western-heritage-murals-equestrian-c","western-heritage-murals-equestrian-cente","western-heritage-murals-equestrian-center","western-heritage-murals-equestrian-center-b","western-heritage-murals-equestrian-center-by","western-heritage-murals-equestrian-center-by-mi","western-heritage-murals-equestrian-center-by-mike","western-heritage-murals-equestrian-center-by-mike-m","western-heritage-murals-equestrian-center-by-mike-mand","western-heritage-murals-equestrian-center-by-mike-mandel","western-heritage-muralsr-by-mike-mandel",{"_132":1281,"_129":178,"_162":1236,"_179":1282,"_181":-5,"_182":-5,"_183":1283,"_185":1284,"_35":1285,"_188":36,"_190":187,"_192":-5,"_193":-5,"_194":1286,"_72":1235,"_196":-5},{"_132":1271,"_129":23,"_162":1236,"_179":1272,"_181":-5,"_182":-5,"_183":1273,"_185":1274,"_35":1275,"_188":600,"_190":605,"_192":-5,"_193":-5,"_194":479,"_72":1235,"_196":-5},{"_132":1262,"_129":80,"_162":1236,"_179":180,"_181":-5,"_182":-5,"_183":1263,"_185":1264,"_35":1265,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1235,"_196":-5},55,"Mosaics9.jpg",{"_197":1266,"_199":1267,"_201":1268,"_203":1269,"_204":1270},66,"https://api.opentour.site/arts-fort-worth/v4/public/media/ab9gp174co1h8p0h2x92vd2lk6ky","https://api.opentour.site/arts-fort-worth/v4/public/media/ab9gp174co1h8p0h2x92vd2lk6ky?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/ab9gp174co1h8p0h2x92vd2lk6ky?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/ab9gp174co1h8p0h2x92vd2lk6ky?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/ab9gp174co1h8p0h2x92vd2lk6ky?variant=lqip",54,501,"Mosaics15.jpg",{"_197":1276,"_199":1277,"_201":1278,"_203":1279,"_204":1280},65,"https://api.opentour.site/arts-fort-worth/v4/public/media/1u1mbs4mwq3v60ekd0w6hsav6eiy","https://api.opentour.site/arts-fort-worth/v4/public/media/1u1mbs4mwq3v60ekd0w6hsav6eiy?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/1u1mbs4mwq3v60ekd0w6hsav6eiy?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/1u1mbs4mwq3v60ekd0w6hsav6eiy?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/1u1mbs4mwq3v60ekd0w6hsav6eiy?variant=lqip",53,564,"Mosaics7.jpg",{"_197":1287,"_199":1288,"_201":1289,"_203":1237,"_204":1290},64,301,"https://api.opentour.site/arts-fort-worth/v4/public/media/an4rq76ux2dhnaz6qn5gu364tenc","https://api.opentour.site/arts-fort-worth/v4/public/media/an4rq76ux2dhnaz6qn5gu364tenc?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/an4rq76ux2dhnaz6qn5gu364tenc?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/an4rq76ux2dhnaz6qn5gu364tenc?variant=lqip",101,"john-justin-and-baby-blue-by-jack-bryant","John Justin and Baby Blue by Jack Bryant",{"_35":968,"_64":1220,"_72":1221},20,{"_35":1334,"_64":1335,"_72":1336},159,"Equestrian Multi-Purpose Building, 1600 Gendy St, Fort Worth, TX 76107, USA","

An excellent representation of Jack Bryant's figurative work, the life-sized memorial sculpture depicts John Justin, styled as \"the Chairman\", on his favorite mount. Justin served as Mayor Pro Tem in 1959 and 1960 and Mayor from 1961 to 1963 before he was elected as Chairman of the Board of the Fort Worth Stock Show and Rodeo in 1982. He was admired around the world for his work in preserving western cowboy culture and was inducted in the Cowboy Hall of Fame, the Pro Rodeo Hall of Fame and the Texas Business Hall of Fame.

Fort Worth Public Art, Legacy Collection

",32.74313985877892,-97.36252617909852,[1324],"An excellent representation of Jack Bryant's figurative work, the life-sized memorial sculpture depicts John Justin, styled as \"the Chairman\", on his favorite mount. Justin served as Mayor Pro Tem in 1959 and 1960 and Mayor from 1961 to 1963 before he was elected as Chairman of the Board of the Fort Worth Stock Show and Rodeo in 1982. He was admired around the world for his work in preserving western cowboy culture and was inducted in the Cowboy Hall of Fame, the Pro Rodeo Hall of Fame and the Texas Business Hall of Fame. Fort Worth Public Art, Legacy Collection",[1309,1310,1311,1312,1313,1314,1315,1316,1317,1318,1319,1320,1321,1322,1323,1292,1292],{"_72":1307,"_162":-5,"_163":1308},[],"John Justin on Baby Blue","https://api.opentour.site/arts-fort-worth/v4/public/media/y0v6butbqq5rnhbvt66j9jwajba0?variant=desktop","john-j","new-stop-1656019483834","joh","john-just","john-justin","john-justin-and","john-justin-and-bab","john-justin-and-baby-b","john-justin-and-baby-blue","john-justin-and-baby-blue-by","john-justin-and-baby-blue-by-j","john-justin-and-baby-blue-by-jack","john-justin-and-baby-blue-by-jack-b","john-justin-and-baby-blue-by-jack-br","john-justin-and-baby-blue-by-jack-bryan",{"_132":605,"_129":178,"_162":-5,"_179":1325,"_181":-5,"_182":-5,"_183":1326,"_185":1327,"_35":1328,"_188":600,"_190":690,"_192":-5,"_193":-5,"_194":1329,"_72":1307,"_196":-5},358,"Bryant, John Justin on Baby Blue #1.jpg",{"_197":1330,"_199":1331,"_201":1332,"_203":1308,"_204":1333},220,231,"https://api.opentour.site/arts-fort-worth/v4/public/media/y0v6butbqq5rnhbvt66j9jwajba0","https://api.opentour.site/arts-fort-worth/v4/public/media/y0v6butbqq5rnhbvt66j9jwajba0?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/y0v6butbqq5rnhbvt66j9jwajba0?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/y0v6butbqq5rnhbvt66j9jwajba0?variant=lqip",154,"buster-welch-by-kelly-graham","Buster Welch by Kelly Graham",{"_35":1291,"_64":1292,"_72":1293},19,{"_35":1374,"_64":1375,"_72":1376},"54 Trail Dr, Fort Worth, TX 76107, USA","

Fort Worth Public Art, Legacy Collection

",32.74250551058465,-97.36438938979644,[1365],"Fort Worth Public Art, Legacy Collection",[1351,1352,1353,1354,1355,1356,1357,1358,1359,1360,1361,1362,1363,1364,1335],{"_72":1349,"_162":-5,"_163":1350},[],"Buster Welch","https://api.opentour.site/arts-fort-worth/v4/public/media/aq36aevwe6qk67qqefjjrs4ghxyz?variant=desktop","new-stop-1657055353414","buste","buster","buster-w","buster-wel","buster-welch","buster-welch-by","buster-welch-by-gr","buster-welch-by-gra","buster-welch-by-graham","buster-welch-by-kel","buster-welch-by-kelly","buster-welch-by-kelly-gr","buster-welch-by-kelly-grahan",{"_132":1366,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1367,"_185":1368,"_35":1369,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1349,"_196":-5},228,"20201204_153034.jpg",{"_197":1370,"_199":1371,"_201":1372,"_203":1350,"_204":1373},249,"https://api.opentour.site/arts-fort-worth/v4/public/media/aq36aevwe6qk67qqefjjrs4ghxyz","https://api.opentour.site/arts-fort-worth/v4/public/media/aq36aevwe6qk67qqefjjrs4ghxyz?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/aq36aevwe6qk67qqefjjrs4ghxyz?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/aq36aevwe6qk67qqefjjrs4ghxyz?variant=lqip",142,"los-caballos-by-william-matthews","Los Caballos by William Matthews",{"_35":1334,"_64":1335,"_72":1336},18,{"_35":1418,"_64":1419,"_72":1420},158,"3501 Dexter Ave, Fort Worth, TX 76107, USA","

Crowning the south façade is a 12-foot tall by 63-foot wide work by Denver-based William Matthews, one of today’s foremost Western artists, known for his depictions of working cowboys and the American West. Titled Los Caballos, the mural commemorates the horse, first brought by the Spanish and now an enduring symbol of the American West, whose introduction to North America transformed the Great Plains and the West for both Native Americans and American pioneers. Set against an untamed landscape, the piece captures the movement of wild horses running among scrub and brush, set against rolling hills, mesas, and a storm-filled sky. Matthews’s work was fabricated in the celebrated female-owned studio Mosaicos Venecianos in Cuernavaca, Mexico, where artisans pieced together more than 600,000 hand-cut glass tiles of 570 different colors to realize this scene with remarkable richness and vibrancy. \n\nFlanking Matthews’s mural are two bas-relief sculptures, further celebrating the significance of the horse in the history of the American West. The two 12-foot tall works, cast in bronze, were conceived from Matthews’s original composition drawings and sculpted by Texas-based artist Buckeye Blake, a member of the Cherokee Nation. On the left is a depiction of an early day cowboy of the American West, skilled and confident. On the opposite side is a Comanche, considered the “Lord of the Plains” and master of the horse culture, brave, and graceful. Both figures, seated on horse-back, serve as welcoming ambassadors to all visitors.

Fort Worth Public Art, Legacy Collection

",32.7404399670159,-97.36849135665283,[1411],"Crowning the south façade is a 12-foot tall by 63-foot wide work by Denver-based William Matthews, one of today’s foremost Western artists, known for his depictions of working cowboys and the American West. Titled Los Caballos, the mural commemorates the horse, first brought by the Spanish and now an enduring symbol of the American West, whose introduction to North America transformed the Great Plains and the West for both Native Americans and American pioneers. Set against an untamed landscape, the piece captures the movement of wild horses running among scrub and brush, set against rolling hills, mesas, and a storm-filled sky. Matthews’s work was fabricated in the celebrated female-owned studio Mosaicos Venecianos in Cuernavaca, Mexico, where artisans pieced together more than 600,000 hand-cut glass tiles of 570 different colors to realize this scene with remarkable richness and vibrancy. \n\nFlanking Matthews’s mural are two bas-relief sculptures, further celebrating the significance of the horse in the history of the American West. The two 12-foot tall works, cast in bronze, were conceived from Matthews’s original composition drawings and sculpted by Texas-based artist Buckeye Blake, a member of the Cherokee Nation. On the left is a depiction of an early day cowboy of the American West, skilled and confident. On the opposite side is a Comanche, considered the “Lord of the Plains” and master of the horse culture, brave, and graceful. Both figures, seated on horse-back, serve as welcoming ambassadors to all visitors. Fort Worth Public Art, Legacy Collection",[1392,1393,1394,1395,1396,1397,1398,1399,1400,1401,1402,1403,1404,1405,1406,1407,1408,1409,1410,1375,1375],{"_72":1390,"_162":-5,"_163":1391},[],"Los Caballos","https://api.opentour.site/arts-fort-worth/v4/public/media/atxehgny4g2xinwgwyuo1qjo3uex?variant=desktop","new-stop-1657045371591","los-caballos-by-william-me","los-caballos-by-william-metthew","l","los","los-c","los-ca","los-cab","los-caball","los-caballos","los-caballos-by","los-caballos-by-wil","los-caballos-by-william","los-caballos-by-william-met","los-caballos-by-william-mett","los-caballos-by-william-m","los-caballos-by-william-matth","los-caballos-by-william-matthe","los-caballos-by-william-matthewas",{"_132":380,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1412,"_185":1413,"_35":1041,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1390,"_196":-5},"Picture1.jpg",{"_197":1414,"_199":1415,"_201":1416,"_203":1391,"_204":1417},"https://api.opentour.site/arts-fort-worth/v4/public/media/atxehgny4g2xinwgwyuo1qjo3uex","https://api.opentour.site/arts-fort-worth/v4/public/media/atxehgny4g2xinwgwyuo1qjo3uex?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/atxehgny4g2xinwgwyuo1qjo3uex?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/atxehgny4g2xinwgwyuo1qjo3uex?variant=lqip",143,"untitled-triptych-by-evergreene-architectural-arts","Untitled triptych by EverGreene Architectural Arts",{"_35":1374,"_64":1375,"_72":1376},17,{"_35":926,"_64":1472,"_72":1473},157,"3515 Lafayette Ave, Fort Worth, TX 76107, USA","

The building’s north façade features a soaring triptych measuring 10-feet in height by 108-feet in width portraying the roots and icons of Texas culture. Created by EverGreene Architectural Arts, the mural was fabricated in Italy using over 600,000 colored glass tiles. It depicts scenes telling the story of Texas, highlighting early settlers and cowhands, set amidst Texas flora, fauna, and more. \n\nHere, diverse pioneering figures present an inclusive and true reflection of Texas culture and history, including a cowgirl, an African-American cowboy, a Vaquero, and a cowboy bearing a Lone Star flag, all mounted on horseback. It was the Vaquero that brought the traditions of horsemanship to the American West and established the foundation for the idea of the cowboy.  At the center of the mural is a large-scale, bright, shining star of Texas, surrounded by oil wells representing the Texas oil booms of the 20th Century, and several of the state’s most quintessential symbols of the natural landscape including prickly pear cacti, pecan trees, wildflowers, bluebonnets, daisies, Texas longhorns, and deer.

Fort Worth Public Art, Legacy Collection

",32.74190385261195,-97.368433689159,[1464],"The building’s north façade features a soaring triptych measuring 10-feet in height by 108-feet in width portraying the roots and icons of Texas culture. Created by EverGreene Architectural Arts, the mural was fabricated in Italy using over 600,000 colored glass tiles. It depicts scenes telling the story of Texas, highlighting early settlers and cowhands, set amidst Texas flora, fauna, and more. \n\nHere, diverse pioneering figures present an inclusive and true reflection of Texas culture and history, including a cowgirl, an African-American cowboy, a Vaquero, and a cowboy bearing a Lone Star flag, all mounted on horseback. It was the Vaquero that brought the traditions of horsemanship to the American West and established the foundation for the idea of the cowboy.  At the center of the mural is a large-scale, bright, shining star of Texas, surrounded by oil wells representing the Texas oil booms of the 20th Century, and several of the state’s most quintessential symbols of the natural landscape including prickly pear cacti, pecan trees, wildflowers, bluebonnets, daisies, Texas longhorns, and deer. Fort Worth Public Art, Legacy Collection",[1436,434,1437,1438,1439,1440,1441,1442,1443,1444,1445,1446,1447,1448,1449,1450,1451,1452,1453,1454,1455,1419,1456,502,1457,404,505,1458,1459,1460,1461,1462,436,1463,1419,1419],{"_72":1434,"_162":-5,"_163":1435},[],"Untitled","https://api.opentour.site/arts-fort-worth/v4/public/media/rpojelwe7zkm32tbg04zp7pqtkcv?variant=desktop","untitled-tr","untitled-trip","untitled-tript","untitled-triptych","untitled-triptych-by","untitled-triptych-by-e","untitled-triptych-by-eve","untitled-triptych-by-everg","untitled-triptych-by-evergree","untitled-triptych-by-evergreene","untitled-triptych-by-evergreene-a","untitled-triptych-by-evergreene-ar","untitled-triptych-by-evergreene-arcvh","untitled-triptych-by-evergreene-arcv","untitled-triptych-by-evergreene-arc","untitled-triptych-by-evergreene-archit","untitled-triptych-by-evergreene-architec","untitled-triptych-by-evergreene-architectur","untitled-triptych-by-evergreene-architectural","untitled-triptych-by-evergreene-architectural-art","new-stop-1657045571040","unt","untitled-mo","untitled-mos","untitled-mosi","untitled-mosiac","untitled-mosia","untitled-tripty",{"_132":1465,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1466,"_185":1467,"_35":1014,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1434,"_196":-5},234,"Picture2.jpg",{"_197":1468,"_199":1469,"_201":1470,"_203":1435,"_204":1471},"https://api.opentour.site/arts-fort-worth/v4/public/media/rpojelwe7zkm32tbg04zp7pqtkcv","https://api.opentour.site/arts-fort-worth/v4/public/media/rpojelwe7zkm32tbg04zp7pqtkcv?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/rpojelwe7zkm32tbg04zp7pqtkcv?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/rpojelwe7zkm32tbg04zp7pqtkcv?variant=lqip","an-uphill-battle-by-jocelyn-russell","An Uphill Battle by Jocelyn Russell",{"_35":1418,"_64":1419,"_72":1420},16,{"_35":1522,"_64":1523,"_72":1524},"Alice Walton Cowgirl Park, 3488 Harley Ave, Fort Worth, TX 76107, USA","

This monument commemorates Sergeant Reckless, a mare, who held official rank in the United States military and served in many combat positions during the Korean War. She was the most decorated war horse in modern history. After writing her best-selling book Sgt. Reckless: America’s War Horse, Robin Hutton founded Angels Without Wings, Inc. Through the non-profit, Hutton commissioned sculptor Jocelyn Russell to create a monument honoring Sergeant Reckless. There are now six Sergeant Reckless monuments across the country.

National Cowgirl Museum and Hall of Fame Collection. Gift of Mindy’s Hope Foundation.

",32.7424389573326,-97.36870053267558,[1504,1505],"This monument commemorates Sergeant Reckless, a mare, who held official rank in the United States military and served in many combat positions during the Korean War. She was the most decorated war horse in modern history. After writing her best-selling book Sgt. Reckless: America’s War Horse, Robin Hutton founded Angels Without Wings, Inc. Through the non-profit, Hutton commissioned sculptor Jocelyn Russell to create a monument honoring Sergeant Reckless. There are now six Sergeant Reckless monuments across the country. National Cowgirl Museum and Hall of Fame Collection. Gift of Mindy’s Hope Foundation. ",[1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1472],{"_72":1486,"_162":-5,"_163":1487},[],"An Uphill Battle","https://api.opentour.site/arts-fort-worth/v4/public/media/9gaf402zobl8wz57snb53a2wek74?variant=desktop","s","sta","new-stop-1657726677710","staff","staff-sea","staff-se","staff-ser","staff-serge","staff-sergean","staff-sergeant-r","staff-sergeant-rec","staff-sergeant-reckle","staff-sergeant-reckless","staff-sergeant-reckless-by","an-uphill-battle-by-joc","an-uphill-battle-by-jocelyn-russe",{"_132":1031,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1515,"_185":1516,"_35":1517,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1486,"_196":-5},{"_132":1004,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1506,"_185":1507,"_35":1508,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1509,"_196":-5},"16-3- Reckless with her primary trainer Platoon Gunnery Sergeant Joseph Latham.jpg",{"_197":1510,"_199":1511,"_201":1512,"_203":1513,"_204":1514},303,"Reckless with her primary trainer Platoon Gunnery Sergeant Joseph Latham","https://api.opentour.site/arts-fort-worth/v4/public/media/tx0n0n0tvai0ocsafy1pue1y5ts9","https://api.opentour.site/arts-fort-worth/v4/public/media/tx0n0n0tvai0ocsafy1pue1y5ts9?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/tx0n0n0tvai0ocsafy1pue1y5ts9?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/tx0n0n0tvai0ocsafy1pue1y5ts9?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/tx0n0n0tvai0ocsafy1pue1y5ts9?variant=lqip","16-1- An Uphill Battle.jpeg",{"_197":1518,"_199":1519,"_201":1520,"_203":1487,"_204":1521},302,"https://api.opentour.site/arts-fort-worth/v4/public/media/9gaf402zobl8wz57snb53a2wek74","https://api.opentour.site/arts-fort-worth/v4/public/media/9gaf402zobl8wz57snb53a2wek74?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/9gaf402zobl8wz57snb53a2wek74?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/9gaf402zobl8wz57snb53a2wek74?variant=lqip",166,"boon-san-sally-boon-san-kitty-by-kelly-graham","Boon San Sally & Boon San Kitty by Kelly Graham",{"_35":926,"_64":1472,"_72":1473},15,{"_35":1142,"_64":1566,"_72":1567},"1720 Gendy St, Fort Worth, TX 76107, USA","

Boon San Sally was foaled in 1980 and had a successful career as a cutting horse before becoming the matriarch of Alice Walton’s Rocking W Ranch breeding program. Her most successful foal was Boon San Kitty, 2004 National Cutting Horse Association Horse of the Year. Boon San Kitty went on to have her own highly successful broodmare career.

National Cowgirl Museum and Hall of Fame Collection.

",32.742982659840024,-97.3690840885647,[1559],"Boon San Sally was foaled in 1980 and had a successful career as a cutting horse before becoming the matriarch of Alice Walton’s Rocking W Ranch breeding program. Her most successful foal was Boon San Kitty, 2004 National Cutting Horse Association Horse of the Year. Boon San Kitty went on to have her own highly successful broodmare career. National Cowgirl Museum and Hall of Fame Collection. ",[1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1523],{"_72":1537,"_162":-5,"_163":1538},[],"Boon San Sally and Boon San Kitty","https://api.opentour.site/arts-fort-worth/v4/public/media/asr55ccccexhdfkinzjijk3uwwdf?variant=desktop","new-stop-1657726551537","b","bon","bo","boon-s","boon-san","boon-san-sal","boon-san-sall","boon-san-sally","boon-san-sally-b","boon-san-sally-boo","boon-san-sally-boon-s","boon-san-sally-boon-san","boon-san-sally-boon-san-kitty","boon-san-sally-boon-san-ki","boon-san-sally-boon-san-kitty-by","boon-san-sally-boon-san-kitty-by-kell","boon-san-sally-boon-san-kitty-by-kelly","boon-san-sally-boon-san-kitty-by-kelly-grh","boon-san-sally-boon-san-kitty-by-kelly-gra",{"_132":1063,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1560,"_185":1561,"_35":1286,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1537,"_196":-5},"15-1- Boon San Sally and Boon San Kitty.jpeg",{"_197":1562,"_199":1563,"_201":1564,"_203":1538,"_204":1565},"https://api.opentour.site/arts-fort-worth/v4/public/media/asr55ccccexhdfkinzjijk3uwwdf","https://api.opentour.site/arts-fort-worth/v4/public/media/asr55ccccexhdfkinzjijk3uwwdf?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/asr55ccccexhdfkinzjijk3uwwdf?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/asr55ccccexhdfkinzjijk3uwwdf?variant=lqip","saddle-your-own-horse-by-evergreene-architectural-arts","Saddle Your Own Horse by EverGreene Architectural Arts",{"_35":1522,"_64":1523,"_72":1524},14,{"_35":1191,"_64":1612,"_72":1613},199,"Installed\nin 2019, the Saddle Your Own Horse mural was designed by EverGreene\nArchitectural Arts and produced by the artisans of the Mellini family in Italy.\nTens of thousands of small pieces of glass were painstakingly hand-placed on\nthis 12 by 75-foot mosaic. The colorful, abstract image reflects the artwork of\na tooled western saddle.

\n\n\n\n

National Cowgirl Museum and Hall of Fame.

",32.742973635759085,-97.36900898671229,[1595,1596],"Installed\nin 2019, the Saddle Your Own Horse mural was designed by EverGreene\nArchitectural Arts and produced by the artisans of the Mellini family in Italy.\nTens of thousands of small pieces of glass were painstakingly hand-placed on\nthis 12 by 75-foot mosaic. The colorful, abstract image reflects the artwork of\na tooled western saddle.\n\n\n\nNational Cowgirl Museum and Hall of Fame.",[1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1566],{"_72":1580,"_162":-5,"_163":1581},[],"Saddle Your Own Horse","https://api.opentour.site/arts-fort-worth/v4/public/media/znpeybq2qetkmi2diws2jcf9nw2z?variant=desktop","saddl","new-stop-1657726447672","saddle","saddle-you","saddle-your","saddle-your-own","saddle-your-own-hor","saddle-your-own-hores","saddle-your-own-hors","saddle-your-own-horse-m","saddle-your-own-horse-mural","saddle-your-own-horse","saddle-your-own-horse-by-e",{"_132":1123,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1605,"_185":1606,"_35":1607,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1580,"_196":-5},{"_132":1074,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1597,"_185":1598,"_35":191,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1599,"_196":-5},"14-2- Close-up of mosaic tesserae.jpeg",{"_197":1600,"_199":1601,"_201":1602,"_203":1603,"_204":1604},"Close-up of mosaic tesserae","https://api.opentour.site/arts-fort-worth/v4/public/media/elrfr85f2p5zlkbk2of9sm38log9","https://api.opentour.site/arts-fort-worth/v4/public/media/elrfr85f2p5zlkbk2of9sm38log9?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/elrfr85f2p5zlkbk2of9sm38log9?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/elrfr85f2p5zlkbk2of9sm38log9?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/elrfr85f2p5zlkbk2of9sm38log9?variant=lqip","14-1 Saddle Your Own Horse.jpeg",{"_197":1608,"_199":1609,"_201":1610,"_203":1581,"_204":1611},299,"https://api.opentour.site/arts-fort-worth/v4/public/media/znpeybq2qetkmi2diws2jcf9nw2z","https://api.opentour.site/arts-fort-worth/v4/public/media/znpeybq2qetkmi2diws2jcf9nw2z?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/znpeybq2qetkmi2diws2jcf9nw2z?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/znpeybq2qetkmi2diws2jcf9nw2z?variant=lqip","little-badger-dulce-by-kelly-graham","Little Badger Dulce by Kelly Graham",{"_35":1142,"_64":1566,"_72":1567},13,{"_35":1649,"_64":1650,"_72":1651},198,"Gendy & Harley, Fort Worth, TX 76107, USA","

Little\nBadger Dulce was named the first National Cutting Horse Association Horse of\nthe Year in 1993. She competed through 1998 and was the dam of nine NCHA\nearners. She passed away in 2015 but still holds the rank of the 10^th\nhighest earning cutting horse of all time in 2022.

\n\n\n\n

National Cowgirl Museum and Hall of Fame Collection.

",32.742881138876875,-97.36873540139277,[1641],"Little\nBadger Dulce was named the first National Cutting Horse Association Horse of\nthe Year in 1993. She competed through 1998 and was the dam of nine NCHA\nearners. She passed away in 2015 but still holds the rank of the 10th\nhighest earning cutting horse of all time in 2022.\n\n\n\nNational Cowgirl Museum and Hall of Fame Collection. ",[1629,1630,1631,1395,1632,1633,1634,1635,1636,1637,1638,1639,1640,1612],{"_72":1627,"_162":-5,"_163":1628},[],"Little Badger Dulce","https://api.opentour.site/arts-fort-worth/v4/public/media/6azyd7ob03dy4x2vwo4zvak8d5tu?variant=desktop","littl","little-bad","new-stop-1657726366992","little","little-badger","little-badger-dul","little-badger-dulc","little-badger-dulce","little-badger-dulce-by","little-badger-dulce-by-ke","little-badger-dulce-by-kell","little-badger-dulce-by-kelly-gr",{"_132":1131,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1642,"_185":1643,"_35":1644,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1627,"_196":-5},"13-1 Little Badger Dulce.jpeg",{"_197":1645,"_199":1646,"_201":1647,"_203":1628,"_204":1648},298,"https://api.opentour.site/arts-fort-worth/v4/public/media/6azyd7ob03dy4x2vwo4zvak8d5tu","https://api.opentour.site/arts-fort-worth/v4/public/media/6azyd7ob03dy4x2vwo4zvak8d5tu?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/6azyd7ob03dy4x2vwo4zvak8d5tu?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/6azyd7ob03dy4x2vwo4zvak8d5tu?variant=lqip",163,"stylish-play-lena-by-kelly-graham","Stylish Play Lena by Kelly Graham",{"_35":1191,"_64":1612,"_72":1613},12,{"_35":1225,"_64":1686,"_72":1687},"

Stylish Play Lena is ranked second in Broodmare Statistics for her offspring’s earnings. Her son Smooth Talkin Style was the 2015 NCHA Open Horse of the Year. She now lives in retirement in Colorado.

National Cowgirl Museum and Hall of Fame Collection.

",32.742842786482896,-97.36871394372065,[1678],"Stylish Play Lena is ranked second in Broodmare Statistics for her offspring’s earnings. Her son Smooth Talkin Style was the 2015 NCHA Open Horse of the Year. She now lives in retirement in Colorado. National Cowgirl Museum and Hall of Fame Collection. ",[1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1650],{"_72":1663,"_162":-5,"_163":1664},[],"Stylish Play Lena","https://api.opentour.site/arts-fort-worth/v4/public/media/6pt6uoqela2xrstsl5mi6juxf20d?variant=desktop","new-stop-1657726295632","st","styl","stylish","stylish-pla","stylish-play","stylish-play-lena","stylish-play-lena-by","stylish-play-lena-by-ke","stylish-play-lena-by-kelly","stylish-play-lena-by-kelly-gr","stylish-play-lena-by-kelly-gra","stylish-play-lena-by-kelly-grah",{"_132":1171,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1679,"_185":1680,"_35":1681,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1663,"_196":-5},"12-2- Stylish Play Lena.jpeg",{"_197":1682,"_199":1683,"_201":1684,"_203":1664,"_204":1685},297,"https://api.opentour.site/arts-fort-worth/v4/public/media/6pt6uoqela2xrstsl5mi6juxf20d","https://api.opentour.site/arts-fort-worth/v4/public/media/6pt6uoqela2xrstsl5mi6juxf20d?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/6pt6uoqela2xrstsl5mi6juxf20d?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/6pt6uoqela2xrstsl5mi6juxf20d?variant=lqip","royal-blue-boon-by-kelly-graham","Royal Blue Boon by Kelly Graham",{"_35":1649,"_64":1650,"_72":1651},11,{"_35":1722,"_64":1723,"_72":1724},196,"

Foaled in 1980, Royal Blue Boon was a blue roan Quarter Horse mare. She had a successful cutting career and became cutting’s top broodmare. Her son Red White & Boon is the highest earning cutting horse of all time in 2022. She also made news as the first commercially cloned horse in 2006.

National Cowgirl Museum and Hall of Fame Collection.

",32.742839402447345,-97.36869382715304,[1714],"Foaled in 1980, Royal Blue Boon was a blue roan Quarter Horse mare. She had a successful cutting career and became cutting’s top broodmare. Her son Red White & Boon is the highest earning cutting horse of all time in 2022. She also made news as the first commercially cloned horse in 2006. National Cowgirl Museum and Hall of Fame Collection. ",[1702,704,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1686],{"_72":1700,"_162":-5,"_163":1701},[],"Royal Blue Boon","https://api.opentour.site/arts-fort-worth/v4/public/media/bw6qjlfstn9z8stod6kgqp4vnu7p?variant=desktop","new-stop-1657726169872","roa","ro","royal","royal-bl","royal-blue-bo","royal-blue-boon","royal-blue-boon-by","royal-blue-boon-by-k","royal-blue-boon-by-kell","royal-blue-boon-by-kelly-gr","royal-blue-boon-by-kelly-grah",{"_132":1180,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1715,"_185":1716,"_35":1717,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1700,"_196":-5},"11-1- Royal Blue Boon.jpeg",{"_197":1718,"_199":1719,"_201":1720,"_203":1701,"_204":1721},296,"https://api.opentour.site/arts-fort-worth/v4/public/media/bw6qjlfstn9z8stod6kgqp4vnu7p","https://api.opentour.site/arts-fort-worth/v4/public/media/bw6qjlfstn9z8stod6kgqp4vnu7p?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/bw6qjlfstn9z8stod6kgqp4vnu7p?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/bw6qjlfstn9z8stod6kgqp4vnu7p?variant=lqip",160,"send-me-by-jocelyn-russell","Send Me by Jocelyn Russell",{"_35":1225,"_64":1686,"_72":1687},10,{"_35":1758,"_64":1759,"_72":1760},"

This\nsculpture honors Lucca K458, a military working dog who served with the United\nStates Marine Corps protecting thousands of American soldiers’ lives during her\n6-year career. Lucca was posthumously honored with the Hall of Fame’s 2021\nSergeant Reckless Award in recognition of her courage and talent in the face of\ngreat danger in order to protect others.

National Cowgirl Museum and Hall of Fame Collection.

",32.74300634804815,-97.36858922100146,[1739,1740],"This\nsculpture honors Lucca K458, a military working dog who served with the United\nStates Marine Corps protecting thousands of American soldiers’ lives during her\n6-year career. Lucca was posthumously honored with the Hall of Fame’s 2021\nSergeant Reckless Award in recognition of her courage and talent in the face of\ngreat danger in order to protect others. National Cowgirl Museum and Hall of Fame Collection.",[1738,1723],{"_72":1736,"_162":-5,"_163":1737},[],"Send Me","https://api.opentour.site/arts-fort-worth/v4/public/media/qyydu3gbrixstcpri4jujdxazzqi?variant=desktop","new-stop-1657726035873",{"_132":1750,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1751,"_185":1752,"_35":1753,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1736,"_196":-5},{"_132":1215,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1741,"_185":1742,"_35":1743,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1744,"_196":-5},"10-3- Lucca with handler Gunnery Sergeant Chris Willingham working in Iraq.JPG",{"_197":1745,"_199":1746,"_201":1747,"_203":1748,"_204":1749},295,"Lucca with handler Gunnery Sergeant Chris Willingham working in Iraq","https://api.opentour.site/arts-fort-worth/v4/public/media/bcrstjscuanbx2c8u7q4649y2ll1","https://api.opentour.site/arts-fort-worth/v4/public/media/bcrstjscuanbx2c8u7q4649y2ll1?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/bcrstjscuanbx2c8u7q4649y2ll1?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/bcrstjscuanbx2c8u7q4649y2ll1?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/bcrstjscuanbx2c8u7q4649y2ll1?variant=lqip",272,"10-1- Send Me.jpeg",{"_197":1754,"_199":1755,"_201":1756,"_203":1737,"_204":1757},294,"https://api.opentour.site/arts-fort-worth/v4/public/media/qyydu3gbrixstcpri4jujdxazzqi","https://api.opentour.site/arts-fort-worth/v4/public/media/qyydu3gbrixstcpri4jujdxazzqi?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/qyydu3gbrixstcpri4jujdxazzqi?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/qyydu3gbrixstcpri4jujdxazzqi?variant=lqip",156,"mural-by-richard-hass","Mural by Richard Hass",{"_35":1722,"_64":1723,"_72":1724},9,{"_35":1297,"_64":1794,"_72":1795},187,"

The Museum’s architect, David M. Schwarz, worked with EverGreene Architectural Arts and artist Richard Haas to create this mural in 2002 for the newly constructed Museum. Richard Haas is considered a master of the trompe l’oeil (trick of the eye) technique, and here the cowgirls appear to be riding straight off the facade. Haas painted this 23 by 42-foot mural directly onto the building wall using Keim silicate paint.

National Cowgirl Museum and Hall of Fame

",32.74330372061675,-97.36861357993584,[1786],"The Museum’s architect, David M. Schwarz, worked with EverGreene Architectural Arts and artist Richard Haas to create this mural in 2002 for the newly constructed Museum. Richard Haas is considered a master of the trompe l’oeil (trick of the eye) technique, and here the cowgirls appear to be riding straight off the facade. Haas painted this 23 by 42-foot mural directly onto the building wall using Keim silicate paint. National Cowgirl Museum and Hall of Fame",[1775,502,1776,504,1777,505,1778,437,1779,1780,1781,1782,1783,1784,1785,1759],{"_72":1773,"_162":-5,"_163":1774},[],"Cowgirl Museum Mural","https://api.opentour.site/arts-fort-worth/v4/public/media/4c7qd5o7bjofpbxyvzew1aczf6l7?variant=desktop","new-stop-1657130942696","uni","untitles","untitled-mu","untitled-mural","untitled-mural-b","untitled-mural-by-r","untitled-mural-by-richa","untitled-mural-by-richard","untitled-mural-by-richard-ha","untitled-mural-by-richard-hass",{"_132":1787,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1788,"_185":1789,"_35":1212,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1773,"_196":-5},230,"Cowgirl Museum Mural.bmp",{"_197":1790,"_199":1791,"_201":1792,"_203":1774,"_204":1793},"https://api.opentour.site/arts-fort-worth/v4/public/media/4c7qd5o7bjofpbxyvzew1aczf6l7","https://api.opentour.site/arts-fort-worth/v4/public/media/4c7qd5o7bjofpbxyvzew1aczf6l7?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/4c7qd5o7bjofpbxyvzew1aczf6l7?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/4c7qd5o7bjofpbxyvzew1aczf6l7?variant=lqip","sacagawea-and-jean-baptiste-by-glenna-goodacre","Sacagawea and Jean Baptiste by Glenna Goodacre",{"_35":1758,"_64":1759,"_72":1760},8,{"_35":1380,"_64":1853,"_72":1854},194,"

This bronze sculpture depicts the Lamhi Shoshone woman Sacagawea, 1976 Hall of Fame Honoree. Sacagawea accompanied the Lewis and Clark Expedition as an interpreter. Artist Glenna Goodacre depicted Sacagawea carrying her infant son Jean Baptiste Charbonneau who was born just two months before the expedition left their winter fort in 1805. She traveled thousands of miles with the expedition from North Dakota to the Pacific and back. Glenna Goodacre was inducted into the Hall of Fame in 2003. Her most well-known works include the Vietnam Women’s Memorial in Washington, D.C., Philadelphia’s Irish Memorial, and her rendering of Sacagawea that appeared on the 2000 Sacagawea dollar coin.

National Cowgirl Museum and Hall of Fame Collection. Gift of Mary and Howard Lester.

",32.74346206282549,-97.36891913271029,[1832,1833],"This bronze sculpture depicts the Lamhi Shoshone woman Sacagawea, 1976 Hall of Fame Honoree. Sacagawea accompanied the Lewis and Clark Expedition as an interpreter. Artist Glenna Goodacre depicted Sacagawea carrying her infant son Jean Baptiste Charbonneau who was born just two months before the expedition left their winter fort in 1805. She traveled thousands of miles with the expedition from North Dakota to the Pacific and back. Glenna Goodacre was inducted into the Hall of Fame in 2003. Her most well-known works include the Vietnam Women’s Memorial in Washington, D. C., Philadelphia’s Irish Memorial, and her rendering of Sacagawea that appeared on the 2000 Sacagawea dollar coin. National Cowgirl Museum and Hall of Fame Collection. Gift of Mary and Howard Lester.",[1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1794],{"_72":1808,"_162":-5,"_163":1809},[],"Sacagawea and Jean Baptiste","https://api.opentour.site/arts-fort-worth/v4/public/media/k7k6wlcmkmy4qoyz5xlxzxwh9jwg?variant=desktop","new-stop-1657725977439","sac","saca","sacaga","sacagawe","sacagawea","sacagawea-je","sacagawea-jean-b","sacagawea-jean-ba","sacagawea-jean-bapt","sacagawea-jean-baptist","sacagawea-jean-baptiste","sacagawea-jean-baptiste-by","sacagawea-jean-baptiste-by-g","sacagawea-jean-baptiste-by-gli","sacagawea-jean-baptiste-by-glinna","sacagawea-jean-baptiste-by-glinna-g","sacagawea-jean-baptiste-by-glinna-good","sacagawea-jean-baptiste-by-glinna-goodac","sacagawea-jean-baptiste-by-glinna-goodacre","sacagawea-jean-baptiste-by-glnna-goodacre","sacagawea-jean-baptiste-by-glenna-goodacre",{"_132":1845,"_129":178,"_162":-5,"_179":237,"_181":-5,"_182":-5,"_183":1846,"_185":1847,"_35":1848,"_188":36,"_190":241,"_192":-5,"_193":-5,"_194":191,"_72":1808,"_196":-5},{"_132":1834,"_129":23,"_162":-5,"_179":1835,"_181":-5,"_182":-5,"_183":1836,"_185":1837,"_35":1838,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1839,"_196":-5},271,644,"8-2- Artist Glenna Goodacre.jpg",{"_197":1840,"_199":1841,"_201":1842,"_203":1843,"_204":1844},293,"Artist Glenna Goodacre","https://api.opentour.site/arts-fort-worth/v4/public/media/33hzij78xew3lh892ttft56pgdkm","https://api.opentour.site/arts-fort-worth/v4/public/media/33hzij78xew3lh892ttft56pgdkm?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/33hzij78xew3lh892ttft56pgdkm?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/33hzij78xew3lh892ttft56pgdkm?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/33hzij78xew3lh892ttft56pgdkm?variant=lqip",270,"8-1- Sacagawea.jpeg",{"_197":1849,"_199":1850,"_201":1851,"_203":1809,"_204":1852},292,"https://api.opentour.site/arts-fort-worth/v4/public/media/k7k6wlcmkmy4qoyz5xlxzxwh9jwg","https://api.opentour.site/arts-fort-worth/v4/public/media/k7k6wlcmkmy4qoyz5xlxzxwh9jwg?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/k7k6wlcmkmy4qoyz5xlxzxwh9jwg?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/k7k6wlcmkmy4qoyz5xlxzxwh9jwg?variant=lqip","courageous-young-cowgirls-by-sherry-wolfenbarger-cagan","Courageous Young Cowgirls by Sherry Wolfenbarger Cagan",{"_35":1297,"_64":1794,"_72":1795},7,{"_35":1922,"_64":1923,"_72":1924},"

Sherry\nWolfenbarger Cagan, 2022 Hall of Fame Honoree, sculpted this bronze which was\ncast in 2007. Cagan’s daughters served as inspiration for the bronze and helped\nin its creation.

National Cowgirl Museum and Hall of Fame Collection. Gift\nof Sherry Wolfenbarger Cagan and Family.

",32.743509438980496,-97.36885744190295,[1904,1905],"Sherry\nWolfenbarger Cagan, 2022 Hall of Fame Honoree, sculpted this bronze which was\ncast in 2007. Cagan’s daughters served as inspiration for the bronze and helped\nin its creation. National Cowgirl Museum and Hall of Fame Collection. Gift\nof Sherry Wolfenbarger Cagan and Family.",[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1853],{"_72":1866,"_162":-5,"_163":1867},[],"Couragous Young Cowgirls","https://api.opentour.site/arts-fort-worth/v4/public/media/nar0snm9ejtixjg6bsfwaphqb5ne?variant=desktop","new-stop-1657725811441","c","cour","coura","courag","courago","couragoe","courage","courageo","courageous","courageous-y","courageous-youn","courageous-young","courageous-young-cow","courageous-young-cowg","courageous-young-cowgi","courageous-young-cowgir","courageous-young-cowgirls","courageous-young-cowgirls-by","courageous-young-cowgirls-by-s","courageous-young-cowgirls-by-she","courageous-young-cowgirls-by-sherr","courageous-young-cowgirls-by-sherry","courageous-young-cowgirls-by-sherry-w","courageous-young-cowgirls-by-sherry-wo","courageous-young-cowgirls-by-sherry-wol","courageous-young-cowgirls-by-sherry-wolfe","courageous-young-cowgirls-by-sherry-wolfen","courageous-young-cowgirls-by-sherry-wolfenbar","courageous-young-cowgirls-by-sherry-wolfenbarge","courageous-young-cowgirls-by-sherry-wolfenbarger","courageous-young-cowgirls-by-sherry-wolfenbarger-c","courageous-young-cowgirls-by-sherry-wolfenbarger-caa","courageous-young-cowgirls-by-sherry-wolfenbarger-caan","courageous-young-cowgirls-by-sherry-wolfenbarger-ca","courageous-young-cowgirls-by-sherry-wolfenbarger-caga",{"_132":447,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1915,"_185":1916,"_35":1917,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1866,"_196":-5},{"_132":411,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":1906,"_185":1907,"_35":1908,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1909,"_196":-5},"7-2- Cagan sculpting with daughters, 2007.jpg",{"_197":1910,"_199":1911,"_201":1912,"_203":1913,"_204":1914},291,"Cagan sculpting with daughters, 2007","https://api.opentour.site/arts-fort-worth/v4/public/media/f51wxd7wrw9nnpaxhku7w5vzk8q9","https://api.opentour.site/arts-fort-worth/v4/public/media/f51wxd7wrw9nnpaxhku7w5vzk8q9?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/f51wxd7wrw9nnpaxhku7w5vzk8q9?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/f51wxd7wrw9nnpaxhku7w5vzk8q9?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/f51wxd7wrw9nnpaxhku7w5vzk8q9?variant=lqip","7-1- Couragous Young Cowgirls.jpeg",{"_197":1918,"_199":1919,"_201":1920,"_203":1867,"_204":1921},290,"https://api.opentour.site/arts-fort-worth/v4/public/media/nar0snm9ejtixjg6bsfwaphqb5ne","https://api.opentour.site/arts-fort-worth/v4/public/media/nar0snm9ejtixjg6bsfwaphqb5ne?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/nar0snm9ejtixjg6bsfwaphqb5ne?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/nar0snm9ejtixjg6bsfwaphqb5ne?variant=lqip",141,"high-desert-princess-by-mehl-lawson","High Desert Princess by Mehl Lawson",{"_35":1380,"_64":1853,"_72":1854},6,{"_35":1424,"_64":1955,"_72":1956},155,"3505 Burnett Tandy Dr, Fort Worth, TX 76107, USA","

High Desert Princess was commissioned from artist Mehl Lawson and sculpted in 2003. The life-size cowgirl with her horse greets visitors to the National Cowgirl Museum.

National Cowgirl Museum and Hall of Fame Collection. Gift of The Burnett Foundation

",32.743627456180256,-97.36863753704414,[1946],"High Desert Princess was commissioned from artist Mehl Lawson and sculpted in 2003. The life-size cowgirl with her horse greets visitors to the National Cowgirl Museum. National Cowgirl Museum and Hall of Fame Collection. Gift of The Burnett Foundation ",[1940,1941,1942,1943,1923,1923,1944,1944,1945,1945],{"_72":1938,"_162":-5,"_163":1939},[],"High Desert Princess","https://api.opentour.site/arts-fort-worth/v4/public/media/53vvpy846tut8nptj4mqfaeteoq5?variant=desktop","high-desert-princess-mehl-lawso","high-desert-princess-by-mehl-lawso","high-desert-princessby-mehl-lawso","new-stop-1657044612346","desert-princess-by-mehl-lawson","hdesert-princess-by-mehl-lawson",{"_132":1947,"_129":178,"_162":-5,"_179":1948,"_181":-5,"_182":-5,"_183":1949,"_185":1950,"_35":792,"_188":36,"_190":187,"_192":-5,"_193":-5,"_194":1286,"_72":1938,"_196":-5},232,565,"Lawson, High Desert Princess #3.bmp",{"_197":1951,"_199":1952,"_201":1953,"_203":1939,"_204":1954},"https://api.opentour.site/arts-fort-worth/v4/public/media/53vvpy846tut8nptj4mqfaeteoq5","https://api.opentour.site/arts-fort-worth/v4/public/media/53vvpy846tut8nptj4mqfaeteoq5?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/53vvpy846tut8nptj4mqfaeteoq5?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/53vvpy846tut8nptj4mqfaeteoq5?variant=lqip","galapagos-tortoise-by-jon-bedford","Galapagos Tortoise by Jon Bedford",{"_35":1922,"_64":1923,"_72":1924},{"_35":1986,"_64":1987,"_72":1988},188,"1600 Gendy St, Fort Worth, TX 76107, USA","Fort Worth Museum of Science and History

Gift of Frank Graves Young

",32.74499672549054,-97.36925529908902,[1977],"Fort Worth Museum of Science and History Gift of Frank Graves Young",[1971,1972,1973,1974,1975,1976,1955],{"_72":1969,"_162":-5,"_163":1970},[],"Galapagos Tortoise","https://api.opentour.site/arts-fort-worth/v4/public/media/7w6j0l90uw6rgdfx6im3qm5xu5i1?variant=desktop","new-stop-1657131147592","galapagos-tortoise","galapagos-tortoise-by","galapagos-tortoise-by-jo","galapagos-tortoise-by-jon-be","galapagos-tortoise-by-jon-bedf",{"_132":240,"_129":178,"_162":-5,"_179":1978,"_181":-5,"_182":-5,"_183":1979,"_185":1980,"_35":1071,"_188":189,"_190":1644,"_192":-5,"_193":-5,"_194":1981,"_72":1969,"_196":-5},477,"Bedford, Galapogos Tortoise #2.jpg",{"_197":1982,"_199":1983,"_201":1984,"_203":1970,"_204":1985},398,"https://api.opentour.site/arts-fort-worth/v4/public/media/7w6j0l90uw6rgdfx6im3qm5xu5i1","https://api.opentour.site/arts-fort-worth/v4/public/media/7w6j0l90uw6rgdfx6im3qm5xu5i1?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/7w6j0l90uw6rgdfx6im3qm5xu5i1?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/7w6j0l90uw6rgdfx6im3qm5xu5i1?variant=lqip",68,"vase-with-nine-flowers-by-james-surls","Vase with Nine Flowers by James Surls",{"_35":1424,"_64":1955,"_72":1956},{"_35":740,"_64":2049,"_72":2050},152,"Montgomery & Lansford, Fort Worth, TX 76107, USA","

Created in 2015, Vase With Nine Flowers was selected from among several outdoor sculptures by James Surls and acquired by the City through direct purchase. Standing 17 feet in height and over 6 feet in width, the bronze and stainless steel abstracted floral sculpture is in Surls' characteristic style. It provides an aesthetic and meaningful focal point along Montgomery Street - a gateway into the Cultural District, the Will Rogers Memorial Complex, and the new Dickies Arena.

Fort Worth Public Art, Commissioned Collection

",32.74555341211719,-97.36983678213959,[2016,2017,2018],"Created in 2015, Vase With Nine Flowers was selected from among several outdoor sculptures by James Surls and acquired by the City through direct purchase. Standing 17 feet in height and over 6 feet in width, the bronze and stainless steel abstracted floral sculpture is in Surls' characteristic style. It provides an aesthetic and meaningful focal point along Montgomery Street - a gateway into the Cultural District, the Will Rogers Memorial Complex, and the new Dickies Arena. Fort Worth Public Art, Commissioned Collection",[2003,1203,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,1987,1987],{"_72":2001,"_162":-5,"_163":2002},[],"Vase with Nine Flowers","https://api.opentour.site/arts-fort-worth/v4/public/media/6zdyb4ciypulf2cpennbgu78npg4?variant=desktop","new-stop-1656015532525","vase","vase-wi","vase-with-n","vase-with-ni","vase-with-nine","vase-with-nine-flo","vase-with-nine-flowe","vase-with-nine-flowers","vase-with-nine-flowers-by","vase-with-nine-flowers-by-jam","vase-with-nine-flowers-by-james-s","vase-with-nine-flowers-by-james-sur",{"_132":964,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":2043,"_185":2044,"_35":1991,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":2001,"_196":-5},{"_132":920,"_129":80,"_162":2031,"_179":-5,"_181":2032,"_182":2033,"_183":2034,"_185":2035,"_35":2036,"_188":-5,"_190":-5,"_192":-5,"_193":593,"_194":-5,"_72":2037,"_196":2033},{"_132":1079,"_129":600,"_162":2019,"_179":-5,"_181":2020,"_182":2021,"_183":2022,"_185":2023,"_35":2024,"_188":-5,"_190":-5,"_192":-5,"_193":593,"_194":-5,"_72":2025,"_196":2021},"James Surls is a major artist who built his career in Texas. His sculptures, drawings and prints, which reflect his unique sensibility to natural forms, are in major art museums and public and private collections throughout the world, including the Centro Cultural Arte Contemporaneo, Mexico City; the country of Singapore; the Museum of Modern Art, New York; the Smithsonian American Art Museum, in Washington, DC; the Solomon R. Guggenheim Museum, New York and the Whitney Museum of American Art, New York.\n\nhttps://fwpublicart.org/vase-with-nine-flowers/\nhttps://jamessurls.com/","//player.vimeo.com/video/454509040","454509040","454509040.jpg",{"_197":2026,"_199":2027,"_201":2028,"_203":2029,"_204":2030},151,"Dedication of 'Vase With Nine Flowers'","https://api.opentour.site/arts-fort-worth/v4/public/media/04doiquio16x09a78dji9xbeqkln","https://api.opentour.site/arts-fort-worth/v4/public/media/04doiquio16x09a78dji9xbeqkln?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/04doiquio16x09a78dji9xbeqkln?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/04doiquio16x09a78dji9xbeqkln?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/04doiquio16x09a78dji9xbeqkln?variant=lqip","Surls is a major artist who built his career in Texas. His sculptures, drawings and prints, which reflect his unique sensibility to natural forms, are in major art museums and public and private collections throughout the world, including the Centro Cultural Arte Contemporaneo, Mexico City; the country of Singapore; the Museum of Modern Art, New York; the Smithsonian American Art Museum, in Washington, DC; the Solomon R. Guggenheim Museum, New York and the Whitney Museum of American Art, New York.\n\nhttps://fwpublicart.org/vase-with-nine-flowers/\nhttps://jamessurls.com/","//player.vimeo.com/video/454507534","454507534","454507534.jpg",{"_197":2038,"_199":2039,"_201":2040,"_203":2041,"_204":2042},153,"Vase With Nine Flowers | James Surls","https://api.opentour.site/arts-fort-worth/v4/public/media/z8o2hwq2pmm454r5kojgsb1ffh0h","https://api.opentour.site/arts-fort-worth/v4/public/media/z8o2hwq2pmm454r5kojgsb1ffh0h?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/z8o2hwq2pmm454r5kojgsb1ffh0h?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/z8o2hwq2pmm454r5kojgsb1ffh0h?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/z8o2hwq2pmm454r5kojgsb1ffh0h?variant=lqip","Vase-with-nine-flowers.jpg",{"_197":2045,"_199":2046,"_201":2047,"_203":2002,"_204":2048},"https://api.opentour.site/arts-fort-worth/v4/public/media/6zdyb4ciypulf2cpennbgu78npg4","https://api.opentour.site/arts-fort-worth/v4/public/media/6zdyb4ciypulf2cpennbgu78npg4?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/6zdyb4ciypulf2cpennbgu78npg4?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/6zdyb4ciypulf2cpennbgu78npg4?variant=lqip","western-heritage-parking-garage-murals-by-mike-mandel","Western Heritage Parking Garage Murals by Mike Mandel",{"_35":1986,"_64":1987,"_72":1988},{"_35":2102,"_64":2103,"_72":2104},"1400 Gendy St, Fort Worth, TX 76107, USA","

This series of mosaic murals illustrate the iconic individuals and events that represent the spirit of Fort Worth's western heritage. Based on historic photographs from local archives, the murals collectively portray talent, bravery, and cultural diversity, and complement the nearby Art Deco architecture of Will Rogers Memorial Center buildings.

Fort Worth Public Art, Legacy Collection

",32.745861592626795,-97.36862317168884,[2084,2085],"This series of mosaic murals illustrate the iconic individuals and events that represent the spirit of Fort Worth's western heritage. Based on historic photographs from local archives, the murals collectively portray talent, bravery, and cultural diversity, and complement the nearby Art Deco architecture of Will Rogers Memorial Center buildings. Fort Worth Public Art, Legacy Collection",[2063,2064,2065,2066,2067,2068,2069,2070,2071,2072,2073,2074,2075,2076,2077,2078,2079,2080,2081,2082,2083,2049,2049,2049],{"_72":1235,"_162":1236,"_163":2062},[],"https://api.opentour.site/arts-fort-worth/v4/public/media/lbbh973w8dsf6bluimgszb6q68e8?variant=desktop","wes","western-he","western-heritage-murals","new-stop-1655997791592","western","western-herita","western-heritage","western-heritage-mu","western-heritage-murals-by-m","western-heritage-murals-by-michae","western-heritage-murals-by-michael","western-heritage-murals-by-mi","western-heritage-murals-by-mike","western-heritage-murals-by-mike-man","western-heritage-pa-murals-by-mike-mandel","western-heritage-parkin-murals-by-mike-mandel","western-heritage-parking-murals-by-mike-mandel","western-heritage-parking-ga-murals-by-mike-mandel","western-heritage-parking-gara-murals-by-mike-mandel","western-heritage-parking-g-murals-by-mike-mandel","western-heritage-parking-garag-murals-by-mike-mandel",{"_132":2095,"_129":23,"_162":1236,"_179":180,"_181":-5,"_182":-5,"_183":2096,"_185":2097,"_35":1986,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":1235,"_196":-5},{"_132":2086,"_129":80,"_162":1236,"_179":237,"_181":-5,"_182":-5,"_183":2087,"_185":2088,"_35":2089,"_188":36,"_190":241,"_192":-5,"_193":-5,"_194":191,"_72":1235,"_196":-5},56,"IMG_7500.JPG",{"_197":2090,"_199":2091,"_201":2092,"_203":2093,"_204":2094},67,"https://api.opentour.site/arts-fort-worth/v4/public/media/u6h4mmzwpqfuzphjmu7e7itnzsrx","https://api.opentour.site/arts-fort-worth/v4/public/media/u6h4mmzwpqfuzphjmu7e7itnzsrx?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/u6h4mmzwpqfuzphjmu7e7itnzsrx?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/u6h4mmzwpqfuzphjmu7e7itnzsrx?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/u6h4mmzwpqfuzphjmu7e7itnzsrx?variant=lqip",57,"IMG_7588.jpg",{"_197":2098,"_199":2099,"_201":2100,"_203":2062,"_204":2101},"https://api.opentour.site/arts-fort-worth/v4/public/media/lbbh973w8dsf6bluimgszb6q68e8","https://api.opentour.site/arts-fort-worth/v4/public/media/lbbh973w8dsf6bluimgszb6q68e8?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/lbbh973w8dsf6bluimgszb6q68e8?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/lbbh973w8dsf6bluimgszb6q68e8?variant=lqip",98,"hats-by-cam-schoepp","Hats by Cam Schoepp",{"_35":740,"_64":2049,"_72":2050},{"_35":2134,"_64":2135,"_72":2136},150,"Gendy & Lansford, Fort Worth, TX 76107, USA","Hats, a whimsical installation of five limestone sculptures by Fort Worth-based artist Cameron Schoepp, was created during the 1999 Sculpture Symposium, an Arts Council of Fort Worth and Tarrant County initiative that started city-wide conversations about public art. For over a decade, the installation was sited in General Worth Square in downtown Fort Worth. It was relocated to the Cultural District in 2013 where it complements the classic modern architecture of the Herbert Bayer and Neil Ford designed building that houses the Fort Worth Community Arts Center.

Fort Worth Public Art, Legacy Collection

",32.746385328396066,-97.36859367168883,[2126],"Hats, a whimsical installation of five limestone sculptures by Fort Worth-based artist Cameron Schoepp, was created during the 1999 Sculpture Symposium, an Arts Council of Fort Worth and Tarrant County initiative that started city-wide conversations about public art. For over a decade, the installation was sited in General Worth Square in downtown Fort Worth. It was relocated to the Cultural District in 2013 where it complements the classic modern architecture of the Herbert Bayer and Neil Ford designed building that houses the Fort Worth Community Arts Center. Fort Worth Public Art, Legacy Collection",[2119,2120,2121,2122,2123,2124,2125,2103,2103],{"_72":2117,"_162":-5,"_163":2118},[],"Hats","https://api.opentour.site/arts-fort-worth/v4/public/media/13vppmnessuss6ripfsklkgxraby?variant=desktop","h","new-stop-1656019230849","hats","hats-by-c","hats-by-cam-s","hats-by-cam-sch","hats-by-cam-scho",{"_132":679,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":2127,"_185":2128,"_35":2129,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":2117,"_196":-5},"L1030504.JPG",{"_197":2130,"_199":2131,"_201":2132,"_203":2118,"_204":2133},217,"https://api.opentour.site/arts-fort-worth/v4/public/media/13vppmnessuss6ripfsklkgxraby","https://api.opentour.site/arts-fort-worth/v4/public/media/13vppmnessuss6ripfsklkgxraby?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/13vppmnessuss6ripfsklkgxraby?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/13vppmnessuss6ripfsklkgxraby?variant=lqip",69,"untitled-plinths-by-kris-pierce","Untitled (Plinths) by Kris Pierce",{"_35":2102,"_64":2103,"_72":2104},149,"1300 Gendy St, Fort Worth, TX 76107, USA","

Local Artist Kris Pierce's series of three permanent sculptural concrete plinths form an exterior gallery for temporary outdoor artworks, a new program of Arts Fort Worth at the Fort Worth Community Arts Center. Each plinth honors the spirit of the building's original Bauhaus-informed architecture by Principal Designer Herbert Bayer, whose 1925 universal alphabet served as inspiration for the plinths' minimal, balanced forms.

Fort Worth Public Art, Commissioned Collection

",32.7466597,-97.3691623,[2163,2164],"Local Artist Kris Pierce's series of three permanent sculptural concrete plinths form an exterior gallery for temporary outdoor artworks, a new program of Arts Fort Worth at the Fort Worth Community Arts Center. Each plinth honors the spirit of the building's original Bauhaus-informed architecture by Principal Designer Herbert Bayer, whose 1925 universal alphabet served as inspiration for the plinths' minimal, balanced forms. Fort Worth Public Art, Commissioned Collection",[2150,2151,2152,2153,2154,2155,2156,2157,2158,2159,2160,2161,2162,2135,2135],{"_72":2148,"_162":-5,"_163":2149},[],"Untitled (Plinths)","https://api.opentour.site/arts-fort-worth/v4/public/media/zqvrtxnvee3ifz2dryu6i31b963j?variant=desktop","new-stop-1656015598269","uniti","unititled","unititled-p","unititled-pl","unititled-plinth","unititled-plinths","untitled-plinths","untitled-plinths-by","untitled-plinths-by-k","untitled-plinths-by-kris","untitled-plinths-by-kris-p","untitled-plinths-by-kris-pie",{"_132":880,"_129":178,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":2172,"_185":2173,"_35":1334,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":2148,"_196":-5},{"_132":845,"_129":23,"_162":-5,"_179":180,"_181":-5,"_182":-5,"_183":2165,"_185":2166,"_35":1928,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":2148,"_196":-5},"UntitledPlinths-8.jpg",{"_197":2167,"_199":2168,"_201":2169,"_203":2170,"_204":2171},"https://api.opentour.site/arts-fort-worth/v4/public/media/603bcow2ax7k7aw45gjmfeuwldvb","https://api.opentour.site/arts-fort-worth/v4/public/media/603bcow2ax7k7aw45gjmfeuwldvb?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/603bcow2ax7k7aw45gjmfeuwldvb?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/603bcow2ax7k7aw45gjmfeuwldvb?variant=desktop","https://api.opentour.site/arts-fort-worth/v4/public/media/603bcow2ax7k7aw45gjmfeuwldvb?variant=lqip","UntitledPlinths-13.jpg",{"_197":2174,"_199":2175,"_201":2176,"_203":2149,"_204":2177},"https://api.opentour.site/arts-fort-worth/v4/public/media/zqvrtxnvee3ifz2dryu6i31b963j","https://api.opentour.site/arts-fort-worth/v4/public/media/zqvrtxnvee3ifz2dryu6i31b963j?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/zqvrtxnvee3ifz2dryu6i31b963j?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/zqvrtxnvee3ifz2dryu6i31b963j?variant=lqip","fort-w","fort-worth","fort-worth-cu","fort-worth-culture","fort-worth-cultural","fort-worth-cultural-dis","fort-worth-cultural-distri","fort-worth-cultural-district","cultu","cultural","cultural-di","cultural-dist","cultural-district","fcultural-district","fort-wcultural-district","fort-worthcultural-district","fort-worth-cultural-district-p","fort-worth-cultural-district-public","fort-worth-cultural-district-public-art","fort-worth-cultural-district-public-art-to","fort-worth-cultural-district-public-art-tour","cultural-district-public-art-tour-be","cultural-district-public-art-tour-bet","cultural-district-public-art-tour-beta","Fort Worth Community Arts Center","Located at 1300 Gendy Street, Fort Worth Community Arts Center is part of the most architecturally significant museum districts in the United States. The striking modern Herbert Bayer building (with a later O’Neil Ford addition) opened to the public in 1954 as home to one of the most prestigious and oldest collecting organizations in the state of Texas, the Modern Art Museum of Fort Worth. When, in 2002, the Modern moved down the street, the Fort Worth Community Arts Center opened. The building continues to exhibit world class art and support the performing arts for more than half a century.","https://api.opentour.site/arts-fort-worth/v4/public/media/7tjc0t6bv1vvsngd2ghbir28ef7l?variant=desktop",{"_132":1615,"_35":23,"_72":2212},{"_132":1569,"_35":80,"_72":2211},{"_132":1526,"_35":600,"_72":2210},{"_132":1475,"_35":36,"_72":2209},"WALKING","TRANSIT","DRIVING","BICYCLING",{"_132":600,"_129":23,"_162":2203,"_179":180,"_181":-5,"_182":-5,"_183":2214,"_185":2215,"_35":1845,"_188":189,"_190":191,"_192":-5,"_193":-5,"_194":195,"_72":2202,"_196":-5},"Arts Center 11-16-2020-2.jpg",{"_197":2216,"_199":2217,"_201":2218,"_203":2204,"_204":2219},"https://api.opentour.site/arts-fort-worth/v4/public/media/7tjc0t6bv1vvsngd2ghbir28ef7l","https://api.opentour.site/arts-fort-worth/v4/public/media/7tjc0t6bv1vvsngd2ghbir28ef7l?variant=mobile","https://api.opentour.site/arts-fort-worth/v4/public/media/7tjc0t6bv1vvsngd2ghbir28ef7l?variant=tablet","https://api.opentour.site/arts-fort-worth/v4/public/media/7tjc0t6bv1vvsngd2ghbir28ef7l?variant=lqip",{"_129":23,"_132":600,"_35":600,"_72":2247,"_64":2248,"_2229":2249,"_149":25,"_2231":23},{"_129":80,"_132":1856,"_35":1856,"_72":2244,"_64":2245,"_2229":2246,"_149":25,"_2231":23},{"_129":600,"_132":1762,"_35":1762,"_72":2241,"_64":2242,"_2229":2243,"_149":25,"_2231":23},{"_129":36,"_132":1797,"_35":1797,"_72":2238,"_64":2239,"_2229":2240,"_149":25,"_2231":23},{"_129":189,"_132":1726,"_35":1726,"_72":2235,"_64":2236,"_2229":2237,"_149":25,"_2231":23},{"_129":1926,"_132":189,"_35":189,"_72":2232,"_64":2233,"_2229":2234,"_149":25,"_2231":23},{"_129":1856,"_132":1926,"_35":1926,"_72":2227,"_64":2228,"_2229":2230,"_149":25,"_2231":23},"Modern","modern","body","

The Modern Art Museum of Fort Worth is a leader in collecting, showing, and interpreting art from the 1940s to the present. Situated in the heart of the Cultural District, the creative center of the city, the Modern has been housed since 2002 in an elegant concrete, glass, and steel building designed by the renowned Japanese architect Tadao Ando. In addition to 53,000 square feet of soaring, light-filled gallery space and landscaped grounds with outdoor sculptures, the museum features a reflecting pond, theater, education center, gift shop, and café, creating a thriving hub for our community and beyond.   

Founded in 1892, the Modern is the oldest museum in Texas; however, our mission has changed over the years. Today, we strive to connect audiences of all ages and backgrounds with the most compelling art and ideas of our time. Showcasing the work of historically significant, mid-career, and emerging artists, the Modern is known for its evolving collection, which is international in scope. The Museum’s holdings include influential artists from Pablo Picasso, Philip Guston, Anselm Kiefer, Martin Puryear, and Agnes Martin to Mark Bradford, Teresita Fernández, Njideka Akunyili Crosby, and Kehinde Wiley. We have a long history of close relationships with the living artists we show and collect, many of whom visit the museum regularly to give talks and lead workshops.  

The Modern is a center of lifelong learning and exchange. Our programs include tours, lectures by leading figures in the art world, youth and adult classes, art camps, workshops, and a range of small-group studio and gallery programs led by the Museum's educators, docents, and community artists. We also present critically acclaimed first-run films and partner with other local arts organizations to offer music, dance, and theater.

$\"the$

","tour_count","Kimbell","kimbell","

The Kimbell Art Museum officially opened on October 4, 1972. The Kimbell Art Foundation, which owns and operates the Museum, had been established in 1936 by Kay and Velma Kimbell, together with Kay’s sister and her husband, Dr. and Mrs. Coleman Carter. Early on, the Foundation collected mostly British and French portraits of the eighteenth and nineteenth centuries. By the time Mr. Kimbell died in April 1964, the collection had grown to 260 paintings and 86 other works of art, including such singular paintings as Hals’s Rommel-Pot Player, Gainsborough’s Portrait of a Woman, Vigée Le Brun’s Self-Portrait, and Leighton’s Portrait of May Sartoris. Motivated by his wish “to encourage art in Fort Worth and Texas,” Mr. Kimbell left his estate to the Foundation, charging it with the creation of a museum. Mr. Kimbell had made clear his desire that the future museum be “of the first class,” and to further that aim, within a week of his death, his widow, Velma, contributed her share of the community property to the Foundation.

Learn more:

$\"kimbell$

","FWMSH","fwmsh","

On May 21, 1941, a charter to establish a Fort Worth Children’s Museum was filed with the State of Texas. The purposes of the new museum were listed as: “The maintenance of a place where geological, biological, and zoological collections may be housed; to increase and diffuse knowledge and appreciation of history, art, and science; to preserve objects of historic, artistic, and scientific interests; and to offer popular instruction and opportunities for aesthetic enjoyment.”

Learn more:

$\"museum$

","FWBG","fwbg","

The Fort Worth Botanic Garden is the oldest public botanic garden in Texas with beautiful theme gardens, including the Fuller Garden, Rose Garden, Japanese Garden, and the Victor and Cleyone Tinsley Garden, which features plants native to north central Texas. The Botanical Research Institute of Texas (BRIT®) is a nonprofit, international research, education and conservation organization that collects and safeguards plant specimens, studies and protects living plants, and teaches about the importance of conservation and biodiversity to the world. BRIT assumed nonprofit management of the Fort Worth Botanic Garden on October 1, 2020..

$\"brit/botanic$

","Cowgirl","cowgirl","

The National Cowgirl Museum and Hall of Fame is the only museum in the world dedicated to honoring women of the West, and from around the world who have displayed extraordinary courage and pioneer spirit in their trailblazing efforts. It includes interactive exhibit galleries that feature artifacts of the permanent collection, a traveling exhibit gallery, two theaters, gift shop, a research library and archives, and a NEW second floor. Currently, the museum’s archives house more than 4000 artifacts and information about more than 750 remarkable women.

$\"cowgirl$

","Carter","carter","

Located in the heart of\nFort Worth’s Cultural District, the Amon Carter Museum of American Art (the\nCarter) explores the diversity and complexity of American creativity through\nour dynamic collection and exciting events. From masterworks by the giants of\npainting and sculpture to our world-renowned photography collection, there’s\nsomething for everyone in our galleries. The Carter’s preeminent collection\nincludes masterworks by legendary American artists such as Ruth Asawa,\nAlexander Calder, Frederic Church, Stuart Davis, Robert Duncanson, Thomas\nEakins, Georgia O’Keeffe, Jacob Lawrence, and John Singer Sargent. In addition\nto its innovative exhibition program and engagement with artists working today,\nthe Museum’s premier primary research collection and leading conservation\nprogram make it a must-see destination for art lovers of all ages.

Admission is\nalways free.

$\"the$

","FWPA","fwpa","

Public Art Helps to Define Fort Worth’s Character as a Vibrant and Sustainable 21st Century City by Celebrating its Storied History, Contributing to its Iconic Destinations, Shaping its Distinct Neighborhoods, and Honoring its Close Connection to Nature.

\"ARTWORKS COMMISSIONED BY THE CITY OF FORT WORTH THROUGH FORT WORTH PUBLIC ART ARE THE TANGIBLE RESULTS OF A PROCESS THAT STIMULATES DIALOGUE, COLLABORATION, AND SOMETIMES, MULTIPLE ITERATIONS OF THE ARTIST’S IDEA. ULTIMATELY, THE WORKS REPRESENT A MOMENT IN TIME IN FORT WORTH’S RICH HISTORY AND, COLLECTIVELY, REFERENCE THE PAST, PRESENT, AND FUTURE OF THE CITY.\"
MARTHA PETERS, DIRECTOR OF PUBLIC ART, ARTS FORT WORTH

$\"FWPA$

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